Above your heads there shone a glowing star;
Red roses shed their leaves about your feet.
And as I gazed with eyes that could not weep
You bent your head and laid your lips on hers.
And my rent soul’ ... [Apparently unfinished.]
“The thoughts were the same as my conscious thoughts had been—the vision was well described—but the language was entirely different from anything I had thought, and the writing expressed the emotion which I had not consciously experienced in seeing the vision, but which (I have since learned) I had felt during the dream, and which I did consciously feel after writing. When I wrote I meant simply to state the facts of the vision.”[[105]]
The subject was unable to give any explanation of the vision or of the composition of the verse. She rarely remembers her dreams and had no memory of any dream the night of this vision. By hypnotic procedure, however, I was able to recover memories of a dream which occurred just before she woke up. It appeared that in the dream she was wandering in a great open space and saw this “picture in a thin mist. The mist seemed to blow apart” and disclosed the “picture” which was identical with the vision. At the climax of the dream picture the dreamer experienced an intense emotion well described in the verse by the unfinished phrase, “My rent soul...” The dreamer “shrieked, and fell on the ground on her face, and grew cold from head to foot and waked up.”
The vision after waking, then, was a repetition of a preceding dream vision and we may safely assume that it was fabricated by the same underlying process which fabricated the dream, this process repeating itself after waking.
So far the phenomenon was one which is fairly common. Now when we come to examine the automatically written script we find it has a number of significant characteristics. (1) It describes a conscious episode, (2) As a literary effort for one who is not a poetical writer it is fairly well written and probably quite as good verse as the subject can consciously write; (3) It expresses the mental attitude, sentiments and emotions experienced in the dream but not at the time of the vision. These had also been antecedent experiences; (4) Both the central ideas of the verse and the vision symbolically represented certain antecedent presentiments of the future; (5) The script gives of the vision an interpretation which was not consciously in mind at the moment of writing.
Now, inasmuch as these sentiments and interpretations were not in the conscious mind at the moment of writing, the script suggests that the process that wrote it was not simply a subconscious memory of the vision but the same process which fabricated the dream. Indeed, the phenomenon is open to the suspicion that this same process expresses the same ideas in verbal symbolism as a substitution for the hallucinatory symbolism. To determine this point, an effort was made to recover by technical methods memories of this process; that is to determine what wrote the verse and by what sort of a process. The following was brought out: