It has been observ’d by Mr. Rowe, that, amongst other Extravagancies which our Author has given to his Sir John Falstaffe, in the Merry Wives of Windsor, he has made him a Deer-stealer; and that he might at the same time remember his Warwickshire Prosecutor, under the Name of Justice Shallow, he has given him very near the same Coat of Arms, which Dugdale, in his Antiquities of that County, describes for a Family there. There are two Coats, I observe, in Dugdale, where three Silver Fishes are borne in the Name of Lucy; and another Coat, to the Monument of Thomas Lucy, Son of Sir William Lucy, in which are quarter’d in four several Divisions, twelve little Fishes, three in each Division, probably Luces. This very Coat, indeed, seems alluded to in Shallow’s giving the dozen White Luces, and in Slender saying, he may quarter. When I consider the exceeding Candour and Good-nature of our Author, (which inclin’d all the gentler Part of the World to love him; as the Power of his Wit obliged the Men of the most delicate Knowledge and polite Learning to admire him;) and that he should throw this humorous Piece of Satire at his Prosecutor, at least twenty Years after the Provocation given; I am confidently persuaded it must be owing to an unforgiving Rancour on the Prosecutor’s Side: and if This was the Case, it were Pity but the Disgrace of such an Inveteracy should remain as a lasting Reproach, and Shallow stand as a Mark of Ridicule to stigmatize his Malice.
It is said, our Author spent some Years before his Death, in Ease, Retirement, and the Conversation of his Friends, at his Native Stratford. I could never pick up any certain Intelligence, when He relinquish’d the Stage. I know, it has been mistakenly thought by some, that Spenser’s Thalia, in his Tears of his Muses, where she laments the Loss of her Willy in the Comic Scene, has been apply’d to our Author’s quitting the Stage. But Spenser himself, ’tis well known, quitted the Stage of Life in the Year 1598; and, five Years after this, we find Shakespeare’s Name among the Actors in Ben Jonson’s Sejanus, which first made its Appearance in the Year 1603. Nor, surely, could he then have any Thoughts of retiring, since, that very Year, a Licence under the Privy-Seal was granted by K. James I. to him and Fletcher, Burbage, Phillippes, Hemmings, Condel, &c. authorizing them to exercise the Art of playing Comedies, Tragedies, &c. as well at their usual House call’d the Globe on the other Side of the Water, as in any other Parts of the Kingdom, during his Majesty’s Pleasure: (A Copy of which Licence is preserv’d in Rymer’s Foedera.) Again, ’tis certain, that Shakespeare did not exhibit his Macbeth, till after the Union was brought about, and till after K. James I. had begun to touch for the Evil: for ’tis plain, he has inserted Compliments, on both those Accounts, upon his Royal Master in that Tragedy.
Nor, indeed, could the Number of the Dramatic Pieces, he produced, admit of his retiring near so early as that Period. So that what Spenser there says, if it relate at all to Shakespeare, must hint at some occasional Recess he made for a time upon a Disgust taken: or the Willy, there mention’d, must relate to some other favourite Poet. I believe, we may safely determine that he had not quitted in the Year 1610. For in his Tempest, our Author makes mention of the Bermuda Islands, which were unknown to the English, till, in 1609, Sir John Summers made a Voyage to North-America, and discover’d them: and afterwards invited some of his Countrymen to settle a Plantation there. That he became the private Gentleman at least three Years before his Decease, is pretty obvious from another Circumstance: I mean, from that remarkable and well-known Story, which Mr. Rowe has given us of our Author’s Intimacy with Mr. John Combe, an old Gentleman noted thereabouts for his Wealth and Usury: and upon whom Shakespeare made the following facetious Epitaph.
Ten in the hundred lies here in-grav’d,
’Tis a hundred to ten his Soul is not sav’d;
If any Man ask who lies in this Tomb,
Oh! oh! quoth the Devil, ’tis my John-a-Combe.
This sarcastical Piece of Wit was, at the Gentleman’s own Request, thrown out extemporally in his Company. And this Mr. John Combe I take to be the same, who, by Dugdale in his Antiquities of Warwickshire, is said to have dy’d in the Year 1614, and for whom at the upper End of the Quire, of the Guild of the Holy Cross at Stratford, a fair Monument is erected, having a Statue thereon cut in Alabaster, and in a Gown with this Epitaph. “Here lyeth enterr’d the Body of John Combe Esq; who dy’d the 10th of July, 1614, who bequeathed several Annual Charities to the Parish of Stratford, and 100l. to be lent to fifteen poor Tradesmen from three years to three years, changing the Parties every third Year, at the Rate of fifty Shillings per Annum, the Increase to be distributed to the Almes-poor there.”—The Donation has all the Air of a rich and sagacious Usurer.
Shakespeare himself did not survive Mr. Combe long, for he dy’d in the Year 1616, the 53d of his Age. He lies buried on the North Side of the Chancel in the great Church at Stratford; where a Monument, decent enough for the Time, is erected to him, and plac’d against the Wall. He is represented under an Arch in a sitting Posture, a Cushion spread before him, with a Pen in his Right Hand, and his Left rested on a Scrowl of Paper. The Latin Distich, which is placed under the Cushion, has been given us by Mr. Pope, or his Graver, in this Manner.
INGENIO Pylium, Genio Socratem, Arte Maronem,
Terra tegit, Populus mæret, Olympus habet.
I confess, I don’t conceive the Difference betwixt Ingeniô and Geniô in the first Verse. They seem to me intirely synonomous Terms; nor was the Pylian Sage Nestor celebrated for his Ingenuity, but for an Experience and Judgment owing to his long Age. Dugdale, in his Antiquities of Warwickshire, has copied this Distich with a Distinction which Mr. Rowe has follow’d, and which certainly restores us the true meaning of the Epitaph.
JUDICIO Pylium, Genio Socratem, &c.
In 1614, the greater part of the Town of Stratford was consumed by Fire; but our Shakespeare’s House, among some others, escap’d the Flames. This House was first built by Sir Hugh Clopton, a younger Brother of an ancient Family in that Neighbourhood, who took their Name from the Manor of Clopton. Sir Hugh was Sheriff of London in the Reign of Richard III, and Lord Mayor in the Reign of King Henry VII. To this Gentleman the Town of Stratford is indebted for the fine Stone-bridge, consisting of fourteen Arches, which at an extraordinary Expence he built over the Avon, together with a Cause-way running at the West-end thereof; as also for rebuilding the Chapel adjoining to his House, and the Cross-Isle in the Church there. It is remarkable of him, that, tho’ he liv’d and dy’d a Batchelor, among the other extensive Charities which he left both to the City of London and Town of Stratford, he bequeath’d considerable Legacies for the Marriage of poor Maidens of good Name and Fame both in London and at Stratford. Notwithstanding which large Donations in his Life, and Bequests at his Death, as he had purchased the Manor of Clopton, and all the Estate of the Family, so he left the same again to his Elder Brother’s Son with a very great Addition: (a Proof, how well Beneficence and Oeconomy may walk hand in hand in wise Families:) Good part of which Estate is yet in the Possession of Edward Clopton, Esq; and Sir Hugh Clopton, Knt. lineally descended from the Elder Brother of the first Sir Hugh: Who particularly bequeathed to his Nephew, by his Will, his House, by the Name of his Great-house in Stratford.