Whilst in the Tower—to which he was again committed—Buckingham's pardon was solicited by Lady Castlemaine; on which account the king was very angry with her; called her a meddling 'jade;' she calling him 'fool,' and saying if he was not a fool he never would suffer his best subjects to be imprisoned—referring to Buckingham. And not only did she ask his liberty, but the restitution of his places. No wonder there was discontent when such things were done, and public affairs were in such a state. We must again quote the graphic, terse language of Pepys:—'It was computed that the Parliament had given the king for this war only, besides all prizes, and besides the £200,000 which he was to spend of his own revenue, to guard the sea, above £5,000,000, and odd £100,000; which is a most prodigious sum. Sir H. Cholmly, as a true English gentleman, do decry the king's expenses of his privy purse, which in King James's time did not rise to above £5,000 a year, and in King Charles's to £10,000, do now cost us above £100,000, besides the great charge of the monarchy, as the Duke of York has £100,000 of it, and other limbs of the royal family.'

In consequence of Lady Castlemaine's intervention, Villiers was restored to liberty—a strange instance, as Pepys remarks, of the 'fool's play' of the age. Buckingham was now as presuming as ever: he had a theatre of his own, and he soon showed his usual arrogance by beating Henry Killigrew on the stage, and taking away his coat and sword; all very 'innocently' done, according to Pepys. In July he appeared in his place in the House of Lords, as 'brisk as ever,' and sat in his robes, 'which,' says Pepys, 'is a monstrous thing that a man should be proclaimed against, and put in the Tower, and released without any trial, and yet not restored to his places.'

We next find the duke intrusted with a mission to France, in concert with Halifax and Arlington. In the year 1680, he was threatened with an impeachment, in which, with his usual skill, he managed to exculpate himself by blaming Lord Arlington. The House of Commons passed a vote for his removal; and he entered the ranks of the opposition.

But this career of public meanness and private profligacy was drawing to a close. Alcibiades no longer—his frame wasted by vice—his spirits broken by pecuniary difficulties—Buckingham's importance visibly sank away. 'He remained, at last,' to borrow the words of Hume, 'as incapable of doing hurt as he had ever been little desirous of doing good to mankind.' His fortune had now dwindled down to £300 a year in land; he sold Wallingford House, and removed into the City.

And now the fruits of his adversity, not, we hope, too late, began to appear. Like Lord Rochester, who had ordered all his immoral works to be burnt, Buckingham now wished to retrieve the past. In 1685 he wrote the religious works which form so striking a contrast with his other productions.

That he had been up to the very time of his ruin perfectly impervious to remorse, dead also to shame, is amply manifested by his conduct soon after his duel with the Earl of Shrewsbury.

Sir George Etherege had brought out a new play at the Duke of York's Theatre. It was called, 'She Would if she Could.' Plays in those days began at what we now consider our luncheon hour. Though Pepys arrived at the theatre on this occasion at two o'clock—his wife having gone before—about a thousand people had then been put back from the pit. At last, seeing his wife in the eighteen-penny-box, Samuel 'made shift' to get there and there saw, 'but lord!' (his own words are inimitable) 'how dull, and how silly the play, there being nothing in the world good in it, and few people pleased in it. The king was there; but I sat mightily behind, and could see but little, and hear not at all. The play being done, I went into the pit to look for my wife, it being dark and raining, but could not find her; and so staid, going between the two doors and through the pit an hour and a half, I think, after the play was done; the people staying there till the rain was over, and to talk to one another. And among the rest, here was the Duke of Buckingham to-day openly in the pit; and there I found him with my Lord Buckhurst, and Sedley, and Etheridge the poet, the last of whom I did hear mightily find fault with the actors, that they were out of humour, and had not their parts perfect, and that Harris did do nothing, nor could so much as sing a ketch in it; and so was mightily concerned, while all the rest did, through the whole pit, blame the play as a silly, dull thing, though there was something very roguish and witty; but the design of the play, and end, mighty insipid.'

Buckingham had held out to his Puritan friends the hope of his conversion for some years; and when they attempted to convert him, he had appointed a time for them to finish their work. They kept their promise, and discovered him in the most profligate society. It was indeed impossible to know in what directions his fancies might take him, when we find him believing in the predictions of a poor fellow in a wretched lodging near Tower Hill, who, having cast his nativity, assured the duke he would be king.

He had continued for years to live with the Countess of Shrewsbury, and two months after her husband's death, had taken her to his home. Then, at last, the Duchess of Buckingham indignantly observed, that she and the countess could not possibly live together. 'So I thought, madam,' was the reply. 'I have therefore ordered your coach to take you to your father's.' It has been asserted that Dr. Sprat, the duke's chaplain, actually married him to Lady Shrewsbury, and that his legal wife was thenceforth styled 'The Duchess-dowager.'

He retreated with his mistress to Claverdon, near Windsor, situated on the summit of a hill which is washed by the Thames. It is a noble building, with a great terrace in front, under which are twenty-six niches, in which Buckingham had intended to place twenty-six statues as large as life; and in the middle is an alcove with stairs. Here he lived with the infamous countess, by whom he had a son, whom he styled Earl of Coventry, (his second title,) and who died an infant.