In other respects, Charles had modelled his court very much on the plan of that of Louis XIV., which he had admired for its gaiety and spirit. Corneille, Racine, Molière, Boileau, were encouraged by le Grand Monarque. Wycherley and Dryden were attracted by Charles to celebrate the festivities, and to amuse the great and the gay. In various points De Grammont found a resemblance. The queen-consort, Catherine of Braganza, was as complacent to her husband's vices as the queen of Louis. These royal ladies were merely first sultanas, and had no right, it was thought, to feel jealousy, or to resent neglect. Each returning sabbath saw Whitehall lighted up, and heard the tabors sound for a branle, (Anglicised 'brawl'). This was a dance which mixed up everybody, and called a brawl, from the foot being shaken to a quick time. Gaily did his Majesty perform it, leading to the hot exercise Anne Hyde, Duchess of York, stout and homely, and leaving Lady Castlemaine to his son, the Duke of Monmouth. Then Charles, with ready grace, would begin the coranto, taking a single lady in this dance along the gallery. Lords and ladies one after another followed, and 'very noble,' writes Pepys, 'and great pleasure it was to see.' Next came the country dances, introduced by Mary, Countess of Buckingham, the grandmother of the graceful duke who is moving along the gallery;—and she invented those once popular dances in order to introduce, with less chance of failure, her rustic country cousins, who could not easily be taught to carry themselves well in the brawl, or to step out gracefully in the coranto, both of which dances required practice and time. In all these dances the king shines the most, and dances much better than his brother the Duke of York.
In these gay scenes De Grammont met with the most fashionable belles of the court: fortunately for him they all spoke French tolerably; and he quickly made himself welcome amongst even the few—and few indeed there were—who plumed themselves upon untainted reputations. Hitherto those French noblemen who had presented themselves in England had been poor and absurd. The court had been thronged with a troop of impertinent Parisian coxcombs, who had pretended to despise everything English, and who treated the natives as if they were foreigners in their own country. De Grammont, on the contrary, was familiar with every one: he ate, he drank, he lived, in short, according to the custom of the country that hospitably received him, and accorded him the more respect, because they had been insulted by others.
He now introduced the petits soupers, which have never been understood anywhere so well as in France, and which are even there dying out to make way for the less social and more expensive dinner; but, perhaps, he would even here have been unsuccessful, had it not been for the society and advice of the famous St. Evremond, who at this time was exiled in France, and took refuge in England.
This celebrated and accomplished man had some points of resemblance with De Grammont. Like him, he had been originally intended for the church; like him he had turned to the military profession; he was an ensign before he was full sixteen; and had a company of foot given him after serving two or three campaigns. Like De Grammont, he owed the facilities of his early career to his being the descendant of an ancient and honourable family. St. Evremond was the Seigneur of St Denis le Guast, in Normandy, where he was born.
Both these sparkling wits of society had at one time, and, in fact, at the same period, served under the great Condé; both were pre-eminent, not only in literature, but in games of chance. St. Evremond was famous at the University of Caen, in which he studied, for his fencing; and 'St. Evremond's pass' was well known to swordsmen of his time;—both were gay and satirical; neither of them pretended to rigid morals; but both were accounted men of honour among their fellow-men of pleasure. They were graceful, kind, generous.
In person St. Evremond had the advantage, being a Norman—a race which combines the handsomest traits of an English countenance with its blond hair, blue eyes, and fair skin. Neither does the slight tinge of the Gallic race detract from the attractions of a true, well-born Norman, bred up in that province which is called the Court-end of France, and polished in the capital. Your Norman is hardy, and fond of field-sports: like the Englishman, he is usually fearless; generous, but, unlike the English, somewhat crafty. You may know him by the fresh colour, the peculiar blue eye, long and large; by his joyousness and look of health, gathered up in his own marshy country, for the Norman is well fed, and lives on the produce of rich pasture-land, with cheapness and plenty around him. And St. Evremond was one of the handsomest specimens of this fine locality (so mixed up as it is with us); and his blue eyes sparkled with humour; his beautifully-turned mouth was all sweetness; and his noble forehead, the whiteness of which was set off by thick dark eyebrows, was expressive of his great intelligence, until a wen grew between his eyebrows, and so changed all the expression of his face that the Duchess of Mazarin used to call him the 'Old Satyr.' St. Evremond was also Norman in other respects: he called himself a thorough Roman Catholic, yet he despised the superstitions of his church, and prepared himself for death without them. When asked by an ecclesiastic sent expressly from the court of Florence to attend his death-bed, if he 'would be reconciled,' he answered, 'With all my heart; I would fain be reconciled to my stomach, which no longer performs its usual functions.' And his talk, we are told, during the fortnight that preceded his death, was not regret for a life we should, in seriousness, call misspent, but because partridges and pheasants no longer suited his condition, and he was obliged to be reduced to boiled meats. No one, however, could tell what might also be passing in his heart. We cannot always judge of a life, any more than of a drama, by its last scene; but this is certain, that in an age of blasphemy St. Evremond could not endure to hear religion insulted by ridicule. 'Common decency,' said this man of the world, 'and a due regard to our fellow-creatures, would not permit it.' He did not, it seems, refer his displeasure to a higher source—to the presence of the Omniscient,—who claims from us all not alone the tribute of our poor frail hearts in serious moments, but the deep reverence of every thought in the hours of careless pleasure.
It was now St. Evremond who taught De Grammont to collect around him the wits of that court, so rich in attractions, so poor in honour and morality. The object of St. Evremond's devotion, though he had, at the æra of the Restoration, passed his fiftieth year, was Hortense Mancini, once the richest heiress, and still the most beautiful woman in Europe, and a niece, on her mother's side, of Cardinal Mazarin. Hortense had been educated, after the age of six, in France. She was Italian in her accomplishments, in her reckless, wild disposition, opposed to that of the French, who are generally calculating and wary, even in their vices: she was Italian in the style of her surpassing beauty, and French to the core in her principles. Hortense, at the age of thirteen, had been married to Armand Duc de Meilleraye and Mayenne, who had fallen so desperately in love with this beautiful child, that he declared 'if he did not marry her he should die in three months.' Cardinal Mazarin, although he had destined his niece Mary to this alliance, gave his consent on condition that the duke should take the name of Mazarin. The cardinal died a year after this marriage, leaving his niece Hortense the enormous fortune of £1,625,000; yet she died in the greatest difficulties, and her corpse was seized by her creditors.
The Duc de Mayenne proved to be a fanatic, who used to waken his wife in the dead of the night to hear his visions; who forbade his child to be nursed on fast-days; and who believed himself to be inspired. After six years of wretchedness poor Hortense petitioned for a separation and a division of property. She quitted her husband's home and took refuge first in a nunnery, where she showed her unbelief, or her irreverence, by mixing ink with holy-water, that the poor nuns might black their faces when they crossed themselves; or, in concert with Madame de Courcelles, another handsome married woman, she used to walk through the dormitories in the dead of night, with a number of little dogs barking at their heels; then she filled two great chests that were over the dormitories with water, which ran over, and, penetrating through the chinks of the floor, wet the holy sisters in their beds. At length all this sorry gaiety was stopped by a decree that Hortense was to return to the Palais Mazarin; and to remain there until the suit for a separation should be decided. That the result should be favourable was doubtful: therefore, one fine night in June, 1667, Hortense escaped. She dressed herself in male attire, and, attended by a female servant, managed to get through the gate at Paris, and to enter a carriage. Then she fled to Switzerland; and, had not her flight been shared by the Chevalier de Rohan, one of the handsomest men in France, one could hardly have blamed an escape from a half-lunatic husband. She was only twenty-eight when, after various adventures, she came in all her unimpaired beauty to England. Charles was captivated by her charms, and, touched by her misfortunes, he settled on her a pension of £4,000 a year, and gave her rooms in St. James's. Waller sang her praise:—
'When through the world fair Mazarine had run,