Tired out my good Lord Dorset's spirit.'

Yet his pen was full of malice, whilst his heart was tender to all. Wilmot, Lord Rochester, cleverly said of him:—

'For pointed satire I would Buckhurst chuse,

The best good man with the worst-natured muse.'

Still more celebrated as a beau and wit of his time, was John Wilmot, Lord Rochester. He was the son of Lord Wilmot, the cavalier who so loyally attended Charles II. after the Battle of Worcester; and, as, the offspring of that royalist, was greeted by Lord Clarendon, then Chancellor of the University of Oxford, when he took his degree as Master of Arts, with a kiss.[10] The young nobleman then travelled, according to custom; and then most unhappily for himself and for others, whom he corrupted by his example, he presented himself at the court of Charles II. He was at this time a youth of eighteen, and one of the handsomest persons of his age. The face of Buckhurst was hard and plain; that of De Grammont had little to redeem it but its varying intelligence; but the countenance of the young Earl of Rochester was perfectly symmetrical: it was of a long oval, with large, thoughtful, sleepy eyes; the eyebrows arched and high above them; the brow, though concealed by the curls of the now modest wig, was high and smooth; the nose, delicately shaped, somewhat aquiline; the mouth full, but perfectly beautiful, was set off by a round and well-formed chin. Such was Lord Rochester in his zenith; and as he came forward on state occasions, his false light curls hanging down on his shoulders—a cambric kerchief loosely tied, so as to let the ends, worked in point, fall gracefully down: his scarlet gown in folds over a suit of light steel armour—for men had become carpet knights then, and the coat of mail worn by the brave cavaliers was now less warlike, and was mixed up with robes, ruffles, and rich hose—and when in this guise he appeared at Whitehall, all admired; and Charles was enchanted with the simplicity, the intelligence, and modesty of one who was then an ingenuous youth, with good aspirations, and a staid and decorous demeanour.

Woe to Lady Rochester—woe to the mother who trusted her son's innocence in that vitiated court! Lord Rochester forms one of the many instances we daily behold, that it is those most tenderly cared for, who often fall most deeply, as well as most early, into temptation. He soon lost every trace of virtue—of principle, even of deference to received notions of propriety. For a while there seemed hopes that he would not wholly fall: courage was his inheritance, and he distinguished himself in 1665, when as a volunteer, he went in quest of the Dutch East India fleet, and served with heroic gallantry under Lord Sandwich. And when he returned to court, there was a partial improvement in his conduct. He even looked back upon his former indiscretions with horror: he had now shared in the realities of life: he had grasped a high and honourable ambition; but he soon fell away—soon became almost a castaway. 'For five years,' he told Bishop Burnet, when on his death-bed, 'I was never sober.' His reputation as a wit must rest, in the present day, chiefly upon productions which have long since been condemned as unreadable. Strange to say, when not under the influence of wine, he was a constant student of classical authors, perhaps the worst reading for a man of his tendency: all that was satirical and impure attracting him most. Boileau, among French writers, and Cowley among the English, were his favourite authors. He also read many books of physic; for long before thirty his constitution was so broken by his life, that he turned his attention to remedies, and to medical treatment; and it is remarkable how many men of dissolute lives take up the same sort of reading, in the vain hope of repairing a course of dissolute living. As a writer, his style was at once forcible and lively; as a companion, he was wildly vivacious: madly, perilously, did he outrage decency, insult virtue, profane religion. Charles II. liked him on first acquaintance, for Rochester was a man of the most finished and fascinating manners; but at length there came a coolness, and the witty courtier was banished from Whitehall. Unhappily for himself, he was recalled, and commanded to wait in London until his majesty should choose to readmit him into his presence.

Disguises and practical jokes were the fashion of the day. The use of the mask, which was put down by proclamation soon after the accession of Queen Anne, favoured a series of pranks with which Lord Rochester, during the period of his living concealed in London, diverted himself. The success of his scheme was perfect. He established himself, since he could not go to Whitehall, in the City. 'His first design,' De Grammont relates, 'was only to be initiated into the mysteries of those fortunate and happy inhabitants; that is to say, by changing his name and dress, to gain admittance to their feasts and entertainments.... As he was able to adapt himself to all capacities and humours, he soon deeply insinuated himself into the esteem of the substantial wealthy aldermen, and into the affections of their more delicate, magnificent, and tender ladies; he made one in all their feasts and at all their assemblies; and whilst in the company of the husbands, he declaimed against the faults and mistakes of government; he joined their wives in railing against the profligacy of the court ladies, and in inveighing against the king's mistresses: he agreed with them, that the industrious poor were to pay for these cursed extravagances; that the City beauties were not inferior to those at the other end of the town,... after which, to outdo their murmurings, he said, that he wondered Whitehall was not yet consumed by fire from heaven, since such rakes as Rochester, Killigrew, and Sidney were suffered there.'

This conduct endeared him so much to the City, and made him so welcome at their clubs, that at last he grew sick of their cramming, and endless invitations.

He now tried a new sphere of action; and instead of returning, as he might have done, to the court, retreated into the most obscure corners of the metropolis; and again changing his name and dress, gave himself out as a German doctor named Bendo, who professed to find out inscrutable secrets, and to apply infallible remedies; to know, by astrology, all the past, and to foretell the future.