This club was no less celebrated for its portraits than for the ladies it honoured. They, the portraits, were all painted by Kneller, and all of one size, which thence got the name of Kit-kat; they were hung round the club-room. Jacob Tonson, the publisher, was secretary to the club.
Defoe tells us the Kit-kat held the first rank among the clubs of the early part of the last century, and certainly the names of its members comprise as many wits as we could expect to find collected in one society.
Addison must have been past forty when he became a member of the Kit-kat. His 'Cato' had won him the general applause of the Whig party, who could not allow so fine a writer to slip from among them. He had long, too, played the courtier, and was 'quite a gentleman.' A place among the exclusives of the Kit-kat was only the just reward of such attainments, and he had it. I shall not be asked to give a notice of a man so universally known, and one who ranks rather with the humorists than the wits. It will suffice to say, that it was not till after the publication of the 'Spectator,' and some time after, that he joined our society.
Congreve I have chosen out of this set for a separate life, for this man happens to present a very average sample of all their peculiarities. Congreve was a literary man, a poet, a wit, a beau, and—what unhappily is quite as much to the purpose—a profligate. The only point he, therefore, wanted in common with most of the members, was a title; but few of the titled members combined as many good and bad qualities of the Kit-kat kind as did William Congreve.
Another dramatist, whose name seems to be inseparable from Congreve's, was that mixture of bad and good taste—Vanbrugh. The author of 'The Relapse,' the most licentious play ever acted;—the builder of Blenheim, the ugliest house ever erected, was a man of good family, and Walpole counts him among those who 'wrote genteel comedy, because they lived in the best company.' We doubt the logic of this; but if it hold, how is it that Van wrote plays which the best company, even at that age, condemned, and neither good nor bad company can read in the present day without being shocked? If the conversation of the Kit-kat was anything like that in this member's comedies, it must have been highly edifying. However, I have no doubt Vanbrugh passed for a gentleman, whatever his conversation, and he was certainly a wit, and apparently somewhat less licentious in his morals than the rest. Yet what Pope said of his literature may be said, too, of some acts of his life:—
'How Van wants grace, who never wanted wit.'
And his quarrel with 'Queen Sarah' of Marlborough, though the duchess was by no means the most agreeable woman in the world to deal with, is not much to Van's honour. When the nation voted half a million to build that hideous mass of stone, the irregular and unsightly piling of which caused Walpole to say that the architect 'had emptied quarries, rather than built houses,' and Dr. Evans to write this epitaph for the builder—
'Lie heavy on him, Earth, for he
Laid many a heavy load on thee,'
Sarah haggled over 'seven-pence halfpenny a bushel;' Van retorted by calling her 'stupid and troublesome,' and 'that wicked woman of Marlborough,' and after the Duke's death, wrote that the Duke had left her 'twelve thousand pounds a-year to keep herself clean and go to law.' Whether she employed any portion of it on the former object we do not pretend to say, but she certainly spent as much as a miser could on litigation, Van himself being one of the unfortunates she attacked in this way.