'I must tell you,' he adds in another letter, 'of an admirable reply of your acquaintance, the Duchess of Queensberry: old Lady Granville, Lord Carteret's mother, whom they call the queen-mother, from taking upon her to do the honours of her son's power, was pressing the duchess to ask her for some place for herself or friends, and assured her that she would procure it, be it what it would. Could she have picked out a fitter person to be gracious to? The duchess made her a most grave curtsey, and said, "Indeed, there was one thing she had set her heart on."—"Dear child, how you oblige me by asking anything! What is it? Tell me."—"Only that you would speak to my Lord Carteret to get me made lady of the bedchamber to the Queen of Hungary."'

The duchess was, therefore, one of the dowagers, 'thick as flounders,' whose proximity was irritating to the fastidious bachelor. There was, however, another Kitty between whom and Horace a tender friendship subsisted: this was Kitty Clive, the famous actress; formerly Kitty Ruftar. Horace had given her a house on his estate, which he called sometimes 'Little Strawberry Hill,' and sometimes 'Cliveden;' and here Mrs. Clive lived with her brother, Mr. Ruftar, until 1785. She formed, for her friend, a sort of outer-home, in which he passed his evenings. Long had he admired her talents. Those were the days of the drama in all its glory: the opera was unfashionable. There were, Horace writes in 1742, on the 26th of May, only two-and-forty people in the Opera House, in the pit and boxes: people were running to see 'Miss Lucy in Town,' at Drury Lane, and to admire Mrs. Clive, in her imitation of the Muscovites; but the greatest crowds assembled to wonder at Garrick, in 'Wine Merchant turned Player;' and great and small alike rushed to Goodman's Fields to see him act all parts, and to laugh at his admirable mimicry. It was perhaps, somewhat in jealousy of the counter attraction, that Horace declared he saw nothing wonderful in the acting of Garrick, though it was then heresy to say so. 'Now I talk of players,' he adds in the same letter, 'tell Mr. Chute that his friend Bracegirdle breakfasted with me this morning.' Horace delighted in such intimacies, and in recalling old times.

Mrs. Abingdon, another charming and clever actress, was also a denizen of Twickenham, which became the most fashionable village near the metropolis. Mrs. Pritchard, likewise, was attracted there; but the proximity of the Countess of Suffolk, who lived at Marble Hill was the delight of a great portion of Horace Walpole's life. Her reminiscences, her anecdotes, her experience, were valuable as well as entertaining to one who was for ever gathering up materials for history, or for biography, or for letters to absent friends.

In his own family he found little to cheer him: but if he hated one or two more especially—and no one could hate more intensely than Horace Walpole—it was his uncle, Lord Wapole, and his cousin, that nobleman's son, whom he christened Pigwiggin; 'my monstrous uncle;' 'that old buffoon, my uncle;' are terms which occur in his letters, and he speaks of the bloody civil wars between 'Horatio Walpole' and 'Horace Walpole.'

Horatio Walpole, the brother of Sir Robert, was created in June, 1756, Baron Walpole of Wolterton, as a recompense for fifty years passed in the public service—an honour which he only survived nine months. He expired in February, 1757. His death removed one subject of bitter dislike from the mind of Horace; but enough remained in the family to excite grief and resentment.

Towards his own two brothers, Robert, Earl of Orford, and Edward Walpole, Horace the younger, as he was styled in contradistinction to his uncle, bore very little affection. His feelings, however, for his nephew George, who succeeded his father as Earl of Orford in 1751, were more creditable to his heart; yet he gives a description of this ill-fated young man in his letters, which shows at once pride and disapprobation. One lingers with regret over the character and the destiny of this fine young nobleman, whose existence was rendered miserable by frequent attacks, at intervals, of insanity.

Never was there a handsomer, a more popular, a more engaging being than George, third Earl of Orford. When he appeared at the head of the Norfolk regiment of militia, of which he was colonel, even the great Lord Chatham broke out into enthusiasm:—'Nothing,' he wrote, 'could make a better appearance than the two Norfolk battalions; Lord Orford, with the front of Mars himself, and really the greatest figure under arms I ever saw, as the theme of every tongue.' His person and air, Horace Walpole declared, had a noble wildness in them: crowds followed the battalions when the king reviewed them in Hyde Park; and among the gay young officers in their scarlet uniforms, faced with black, in their buff waistcoats and gold buttons, none was so conspicuous for martial bearing as Lord Onord, although classed by his uncle 'among the knights of shire who had never in their lives shot anything but woodcocks.'

But there was a peculiarity of character in the young peer which shocked Horace. 'No man,' he says in one of his letters, 'ever felt such a disposition to love another as I did to love him. I flattered myself that he would restore some lustre to our house—at least not let it totally sink; but I am forced to give him up, and all my Walpole views.... He has a good breeding, and attention when he is with you that is even flattering;... he promises, offers everything one can wish; but this is all: the instant he leaves you, all the world are nothing to him; he would not give himself the least trouble in the world to give any one satisfaction; yet this is mere indolence of mind, not of body: his whole pleasure is outrageous exercise.'

'He is,' in another place Horace adds, 'the most selfish man in the world: without being in the least interested, he loves nobody but himself, yet neglects every view of fortune and ambition. Yet,' he concludes, 'it is impossible not to love him when one sees him: impossible to esteem him when one thinks on him.'

The young lord, succeeding to an estate deeply encumbered, both by his father and grandfather, rushed on the turf, and involved himself still more. In vain did Horace the younger endeavour to secure for him the hand of Miss Nicholls, an heiress with £50,000, and, to that end, placed the young lady with Horace the elder (Lord Walpole), at Wolterton. The scheme failed: the crafty old politician thought he might as well benefit his own sons as his nephew, for he had himself claims on the Houghton estate which he expected Miss Nicholl's fortune might help to liquidate.