But as long as Richard Brinsley was a leader of political and fashionable circles, as long as he had a position to keep up, an ambition to satisfy, a labour to complete, his drinking was, if not moderate, not extraordinary for his time and his associates. But when a man's ambition is limited to mere success—when fame and a flash for himself are all he cares for, and there is no truer, grander motive for his sustaining the position he has climbed to—when, in short, it is his own glory, not mankind's good, he has ever striven for—woe, woe, woe when the hour of success is come! I cannot stop to name and examine instances, but let me be allowed to refer to that bugbear who is called up whenever greatness of any kind has to be illustrated—Napoleon the Great; or let me take any of the lesser Napoleons in lesser grades in any nation, any age—the men who have had no star but self and self-glory before them—and let me ask if any one can be named who, if he has survived the attainment of his ambition, has not gone down the other side of the hill somewhat faster than he came up it? Then let me select men whose guiding-star has been the good of their fellow-creatures, or the glory of God, and watch their peaceful useful end on that calm summit that they toiled so honestly to reach. The difference comes home to us. The moral is read only at the end of the story. Remorse rings it for ever in the ears of the dying—often too long a-dying—man who has laboured for himself. Peace reads it smilingly to him whose generous toil for others has brought its own reward.
Sheridan had climbed with the stride of a giant, laughing at rocks, at precipices, at slippery watercourses. He had spread the wings of genius to poise himself withal, and gained one peak after another, while homelier worth was struggling midway, clutching the bramble and clinging to the ferns. He had, as Byron said in Sheridan's days of decay, done the best in all he undertook, written the best comedy, best opera, best farce; spoken the best parody, and made the best speech. Sheridan, when those words of the young poet were told him, shed tears.
Perhaps the bitter thought struck him, that he had not led the best, but the worst life; that comedy, farce, opera, monody, and oration were nothing, nothing to a pure conscience and a peaceful old age; that they could not save him from shame and poverty—from debt, disgrace, drunkenness—from grasping, but long-cheated creditors, who dragged his bed from under the feeble, nervous, ruined old man. Poor Sheridan! his end was too bitter for us to cast one stone more upon him. Let it be noted that it was in the beginning of his decline, when, having reached the climax of all his ambition and completed his fame as a dramatist, orator, and wit, that the hand of Providence mercifully interposed to rescue this reckless man from his downfall. It smote him with that common but powerful weapon—death. Those he best loved were torn from him, one after another, rapidly, and with little warning. The Linleys, the 'nest of nightingales,' were all delicate as nightingales should be; and it seemed as if this very time was chosen for their deaths, that the one erring soul—more precious, remember, than many just lives—might be called back. Almost within one year he lost his dear sister-in-law, the wife of his most intimate friend Tickell; Maria Linley, the last of the family; his own wife, and his little daughter. One grief succeeded another so rapidly that Sheridan was utterly unnerved, utterly brought low by them; but it was his wife's death that told most upon him. With that wife he had always been the lover rather than the husband. She had married him in the days of his poverty, when her beauty was so celebrated that she might have wed whom she would. She had risen with him and shared his later anxieties. Yet she had seen him forget, neglect her, and seek other society. In spite of his tender affection for her and for his children, he had never made a home of their home. Vanity Fair had kept him ever flitting, and it is little to be wondered at that Mrs. Sheridan was the object of much, though ever respectful admiration.[9] Yet, in spite of calumny, she died with a fair fame. Decline had long pressed upon her, yet her last illness was too brief. In 1792 she was taken away, still in the summer of her days, and with her last breath uttering her love for the man who had never duly prized her. His grief was terrible; yet it passed, and wrought no change. He found solace in his beloved son, and yet more beloved daughter. A few months—and the little girl followed her mother. Again his grief was terrible: again passed and wrought no change. Yes, it did work some change, but not for the better; it drove him to the goblet; and from that time we may date the confirmation of his habit of drinking. The solemn warnings had been unheeded: they were to be repeated by a long-suffering God in a yet more solemn manner, which should touch him yet more nearly. His beautiful wife had been the one restraint upon his folly and his lavishness. Now she was gone, they burst out afresh, wilder than ever.
For a while after these afflictions, which were soon completed in the death of his most intimate friend and boyish companion, Tickell, Sheridan threw himself again into the commotion of the political world. But in this we shall not follow him. Three years after the death of his first wife he married again. He was again fortunate in his choice. Though now forty-four, he succeeded in winning the heart of a most estimable and charming young lady with a fortune of £5,000. She must indeed have loved or admired the widower very much to consent to be the wife of a man so notoriously irregular, to use a mild term, in his life. But Sheridan fascinated wherever he went, and young ladies like 'a little wildness.' His heart was always good, and where he gave it, he gave it warmly, richly, fully. His second wife was Miss Esther Jane Ogle, daughter of the Dean of Winchester. She was given to him on condition of his settling in all £20,000, upon her—a wise proviso with such a spendthrift—and he had to raise the money, as usual.
His political career was sufficiently brilliant, though his real fame as a speaker rests on his great oration at Hastings' trial. In 1806 he satisfied another point of his ambition, long desired, and was elected for the city of Westminster, which he had ardently coveted when Fox represented it. But a dissolution threw him again on the mercy of the popular party; and again he offered himself for Westminster: but, in spite of all the efforts made for him, without success. He was returned, instead, for Ilchester.
Meanwhile his difficulties increased; extravagance, debt, want of energy to meet both, brought him speedily into that position when a man accepts without hesitation the slightest offer of aid. The man who had had an income of £15,000 a year, and settled £20,000 on his wife, allowed a poor friend to pay a bill for £5 for him, and clutched eagerly at a £50 note when displayed to him by another. Extravagance is the father of meanness, and Sheridan was often mean in the readiness with which he accepted offers, and the anxiety with which he implored assistance. It is amusing in the present day to hear a man talk of 'a debt of honour,' as if all debts did not demand honour to pay them—as if all debts incurred without hope of repayment were not dishonourable. A story is told relative to the old-fashioned idea of a 'debt of honour.' A tradesman, to whom he had given a bill for £200, called on him for the amount. A heap of gold was lying on the table. 'Don't look that way,' cried Sheridan, after protesting that he had not a penny in the world, 'that is to pay a debt of honour.' The applicant, with some wit, tore up the bill he held. 'Now, Mr. Sheridan,' quoth he, 'mine is a debt of honour too.' It is to be hoped that Sheridan handed him the money.
The story of Gunter's bill is not so much to his credit, Hanson, an ironmonger, called upon him and pressed for payment. A bill sent in by the famous confectioner was lying on the table. A thought struck the debtor, who had no means of getting rid of his importunate applicant. 'You know Gunter?' he asked. 'One of the safest men in London,' replied the ironmonger. 'Then will you be satisfied if I give you his bill for the amount?'—'Certainly.' Thereupon Sheridan handed him the neatly folded account and rushed from the room, leaving the creditor to discover the point of Mr. Sheridan's little fun.
Still Sheridan might have weathered through the storm. Drury Lane was a mine of wealth to him, and with a little care might have been really profitable. The lawsuits, the debts, the engagements upon it, all rose from his negligence and extravagance. But Old Drury was doomed. On the 24th February, 1809, soon after the conclusion of the performances, it was announced to be in flames. Rather it announced itself. In a few moments it was blazing—a royal bonfire. Sheridan was in the House of Commons at the time. The reddened clouds above London threw the glare back even to the windows of the House. The members rushed from their seats to see the unwonted light, and in consideration for Sheridan, an adjournment was moved. But he rose calmly, though sadly, and begged that no misfortune of his should interrupt the public business. His independence, he said—witty in the midst of his troubles—had often been questioned, but was now confirmed, for he had nothing more to depend upon. He then left the House, and repaired to the scene of conflagration.
Not long after, Kelly found him sitting quite composed in 'The Bedford,' sipping his wine, as if nothing had happened. The musician expressed his astonishment at Mr. Sheridan's sang froid. 'Surely,' replied the wit, 'you'll admit that a man has a right to take his wine by his own fireside.' But Sheridan was only drowning care, not disregarding it. The event was really too much for him, though perhaps he did not realize the extent of its effect at the time. In a word, all he had in the world went with the theatre. Nothing was left either for him or the principal shareholders. Yet he bore it all with fortitude, till he heard that the harpsichord, on which his first wife was wont to play, was gone too. Then he burst into tears.
This fire was the opening of the shaft down which the great man sank rapidly. While his fortunes kept up, his spirits were not completely exhausted. He drank much, but as an indulgence rather than as a relief. Now it was by wine alone that he could even raise himself to the common requirements of conversation. He is described, before dinner, as depressed, nervous, and dull; after dinner only did the old fire break out, the old wit blaze up, and Dick Sheridan was Dick Sheridan once more. He was, in fact, fearfully oppressed by the long-accumulated and never-to-be-wiped-off debts, for which he was now daily pressed. In quitting Parliament he resigned his sanctuary, and left himself an easy prey to the Jews and Gentiles, whom he had so long dodged and deluded with his ready ingenuity. Drury Lane, as we all know, was rebuilt, and the birth of the new house heralded with a prologue by Byron, about as good as the one in 'Rejected Addresses,' the cleverest parodies ever written, and suggested by this very occasion. The building-committee having advertised for a prize prologue Samuel Whitbread sent in his own attempt, in which, as probably in a hundred others, the new theatre was compared to a Phoenix rising out of the ashes of the old one. Sheridan said Whitbread's description of a Phoenix was excellent, for it was quite a poulterer's description.