[41]. Hume, from Rushworth’s Collection’s, vol i., p. 103.
[42]. Nichols, p. 913. From Haddwicke State Papers, vol. i, p. 476.
[43]. Narrative of the journey of the Prince’s servants into Spain; printed at the end of the Life of Richard II., by Hearne.
[44]. It was improved before the time of the Commonwealth, when Lady Fanshawe describes it as approached by a double row of elms, and having a large park well stored with wood and water; she speaks of seventeen courts, with gardens in each, and of a very fine palace; the walls of the building were of marble, so polished that Titian had painted them “all over.” She says also that the palace is “royally furnished.”--See Miss Costello’s Life of Lady Fanshawe, p. 389.
[45]. Nichols, p. 923, from Haddwicke Papers, vol. i., p. 475.
[46]. Nichols, p. 926, from the Diary of Phineas Pette. There were four narratives of persons who had their voyage to Spain printed--Lord Carey of Leppington, Sir Richard Wynn, Sir John Finet and Phineas Pette.
[47]. State Papers, Calendar, vol. cliii., p. 44.
[48]. State Papers, vol. cliii., No. 44.
[49]. Tobie died at Ghent, in 1665, having become a Jesuit. Lord Orford has, according to Nichols, placed Tobie Mathew erroneously on the list of painters, and misled Grainger and others, owing to the reference to the Infanta’s picture above stated.--Nichols p. 931, note.
[50]. Epistolæ Hoelianæ.