Another woman danced with her head bent low, a very strange slow shuffle round and round, something like an Arab measure, but after a while she broke into a sort of waltz. The dancing, like the Runo music, was primitive.
These Runo singers could but be regarded as a connecting link between the present and the past.
Here were people, the representatives of generations gone before, who had handed down by word of mouth the runes of that wonderful epic, the Kalevala. Just such folk as these had sat during long winters in their small wooden huts, practically windowless; besides, it was generally too cold to put back the wooden shutter, used for economy instead of glass, for more than a few moments at a time; they had sat in the dusk chanting the songs of their land, the mystic lines of which they had sucked in almost with their mother's milk, until music and verse filled their very souls. The weird, the wild, the fantastic, had become their nature. The mind loves to dwell on the supernatural, the unreal; and in those lonely, dreary, darkened lives mythological legends flourished as mushrooms in a cellar. The population literally feasted on the mythical, just as the twentieth century society revels in Christian Science, Theosophy, or New Thought.
As the women applied the scrutcher to the flax, or carded the wool, they dreamed wild dreams of ghosts and goblins, and repeated to themselves, in queer chant, the stories of the sacred bear, or those beautiful lines to the sun and the moon to be found in Kalevala. They lived again with Ahti, the Finnish sea god, otherwise called Lemminkäinen; or the husband invoked the aid of charms, as at his work he recited how Lemminkäinen reached Pohjola but to quarrel and fight, and related verses showing how he finally cut off the head of the representative champion of the beautiful Louhi. Or wild stories of an ox with a thousand heads engrossed their fancy, and they lingered fondly over the tales of the hundred horns to plough up the land. Or, again, the old wife would chime in with the weird rune where Wäinämöinen's harp blew into the sea, when a boat was manned with a thousand oars to fetch it back, but Wäinämöinen destroyed that boat by means of magic.
Louhi then changed herself into an eagle, with claws and scythes of iron, and wondrous breastplate, while on her wings she bore aloft a thousand armed men, and upon her tail sat a hundred archers, and ten upon every feather.
With one wing she sweeps the heavens,
With the other sweeps the waters.
This is cleverly represented in a picture by Gallén, a well-known Finnish artist.
In another stirring verse, the poem goes on to tell how Louhi swooped down upon the heroes, when desperate battle ensued for the treasure under dispute.
Wounded and exhausted, Louhi threw the treasure into the sea rather than surrender it, emblematic still in the tenacity of the Finnish race.