Rising, she lays her white hand on his arm, and they move away together down a quiet path under the shade of the leafy trees hung with gayly-colored lamps, whose checkered light throws their faces now in brightness, now in shadow.
The scene, the hour, is full of romance. Tall marble vases here and there are crowded with fragrant flowers, whose sweetness makes breathing a perfect delight. The moon is at its full, pouring down a flood of pure white radiance that makes the glimmering light of the lamps seem garish and unnecessary. Soft music rises, blent with the sound of happy voices, and a nightingale has perched itself on a rose tree near by, and is
"Pouring his full heart
In profuse strains of unpremeditated art."
They walk slowly on, speaking little, but with hearts that tremble with mingled pain and pleasure. The presence of each to the other is perilously sweet. In his mind runs the refrain of a song she had sung that evening:
"Beloved eye! beloved star,
Thou art so near and yet so far."
Suddenly, in turning a curve in the path, they come face to face with a couple walking from the opposite direction—Leslie Noble and his wife.
The small blonde is attired in an elaborate costume of white and green, and the snaky fire of emeralds blaze round her throat and wrists. Her pale eyes glare with a snaky anger, too, as they light upon the beautiful young countess, looking bride-like in her rich, white dress, and the white lace scarf that she has carelessly thrown over her golden hair.
With an impulsive movement Ivy disengages her hand from her husband's arm, and places herself directly in Vera's way, her pale eyes flashing with rage, her head held high, her slight figure drawn erect, making the most of her insignificant stature.
"Lady Fairvale," she exclaims, insolently, "they tell me you refuse to know me or my husband, or my mother. Will you tell me the reason why?"
There is a dead pause, and Leslie Noble tries to drag his wife away, but she defies him.