Una had taken a distaste to the nurse from the first, and her unaccountable aversion increased as Eliot grew no better with the lapse of days, and showed no sign of recognition of the dear ones who surrounded him.

Carmontelle spoke to the doctor about the cross nurse, but he only laughed, and said that nurses were always jealous of interference with their patients, and that the man was splendid in his vocation; so Una tried to dismiss her antipathy to him as unjust and unfounded.

But one night the physician declared that he saw a change in his patient—a crisis was approaching, and he hoped the change would be for the better. He left, promising to return at midnight, and enjoining the utmost quiet and care in the sick-room, so that Eliot might not be aroused from the deep slumber into which he had fallen.

When he had gone, Johnson, the nurse, declared that he must have the sick-room alone with his patient.

"The crisis is all-important," he said. "When he awakens it will be to life or death, and in spite of Doctor Pomeroy's flattering words, I fear it will be death. When he wakes, I must be alone with him that he may not be excited and frightened by your anxious faces. I hope you will all go to your rooms and rest. I will call each one immediately upon the slightest change in the patient."

They all promised, but Una's pledge was most reluctant. She looked pleadingly at Johnson, and he returned her gaze sullenly, as it seemed to her, through the goggle glasses he wore.

She went to her own room, just a little lower down the hall, and sat down at the window, consumed with suspense and restlessness. The hours passed slowly, drearily, and at last she could bear the torture of her thoughts no longer.

"I will go to the room next to Eliot's and wait. No one will see or hear me, and it can do no harm," she thought.

Wrapping a dark shawl about her shoulders, for the midnight hour was chilly, Una glided like a spirit along the dark corridor until she gained the little ante-chamber next to the sick-room. The outer door was ajar, and also the one that opened into Eliot's room. The anxious young wife moved softly across the soundless carpet and peered around the door.

Then her shriek of terror, fear, and agony rang shrilly through the house.