They walked down the echoing aisle, between rows of moldy, decaying coffins, and paused with beating hearts and labored breath beside a new casket, loaded with wreaths and crosses of fragrant white hot-house flowers.
The murky air of the charnel house was heavy with the scent of tube-roses, violets and pale white roses. With trembling hands they removed these tokens of affection, until the lid of the coffin was disclosed. With a shudder Lancelot read the inscription on the silver plate:
"Lily Lawrence.
"Aged eighteen."
Mr. Lawrence drew out the silver screws and removed the lid.
"My God!" he cried, as he gazed within.
The costly casket was empty. The white satin cushioning that love had devised to make the bed of death a soft one, held the impress of her form, the pillow was lightly dented where her golden head had lain, but the cold form that rested there yesterday with white hands folded over the quiet heart, with pale lips shut over the woful secret of her death, that loved form was gone from their gaze.
[CHAPTER IV.]
Go with me, kind reader, to the outskirts of the great city; enter with me an humble house; we pass invisibly inside the locked door, we glide unseen up the staircase, and into a plainly furnished, low-ceiled room. Our acquaintance, Doctor Pratt, is there—also his co-conspirator, Harold Colville, is there. Both are bending anxiously over a low, white bed where a girlish, recumbent form lies extended.
At the foot of the bed stands an old crone with gray elf-locks floating under a tawdry black lace cap. Wrinkled, and bent, and witch-like, with beady black eyes and parchment-like skin, she is frightful to look at as she peers curiously into the beautiful white face lying on the pillow.