CHAPTER II
The childhood of Lisette—Extraordinary talent—The convent—The household of an artist—Death of M. Vigée—Despair of Lisette—Begins her career—Re-marriage of her mother—The Dauphine.
THE early years of the childhood of Elisabeth Vigée were peaceful and happy enough, and already at a tender age the genius which was to determine and characterise her future life began to appear. According to the usual custom she was placed in a convent to be educated, and though only six years old when she was sent there, she had then and during the five years of her convent life, the habit of drawing and scribbling perpetually and upon everything she could lay her hands on, much to the displeasure of the good Sisters and of her companions.
For nothing was safe from her pencil: her books, her copy-books, even those of her schoolfellows, the walls of the dormitory, every available space was covered with heads, figures, and landscapes in crayon or charcoal, and when out in the playground she drew with a stick upon the sand.
Little did the other children who made complaints that their books were “spoiled,” or the nuns who gave reproofs and decreed punishments, imagine what valuable possessions these scribbled, spoilt books and papers would have become in future years if they had taken care of them, for the artistic genius was in them even then. One evening, when she was seven or eight years old, the child drew the head of a man with a beard which she showed to her father. Transported with delight, he exclaimed:
“Tu seras peintre, mon enfant, ou jamais il n’en sera.” [9]
She always kept this drawing, her foretaste of the brilliant success that began so early and never forsook her.