Her way of living was very simple; she walked about the park summer and winter, visited the poor, to whom she was most kind and generous, wore muslin or cambric dresses, and had very few visitors. The only two women who came much to see her were Mme. de Souza, the Portuguese Ambassadress, and the Marquise de Brunoy. M. de Monville, a pleasant, well-bred man, was frequently there, and one day the Ambassador of Tippoo Sahib arrived to visit her, bringing a present of a number of pieces of muslin richly embroidered with gold, one of which she gave to Mme. Le Brun. The Duc de Brissac was of course there also, but, though evidently established at the château, there was nothing either in his manner or that of Mme. Du Barry to indicate anything more than friendship between them. Yet Mme. Le Brun saw plainly enough the strong attachment which cost them both their lives.
Under her own room, which looked out towards Marly, Mme. Le Brun discovered a gallery in which were huddled together all sorts of magnificent marbles, busts, vases, columns, and other costly works of art, the relics of former grandeur.
Every day after dinner, they had their coffee in the splendid pavilion of Louis XV. It was decorated and furnished with the greatest luxury and magnificence, the chimney-piece, doors, and locks were precious works of art.
The first time they entered it Mme. Du Barry said, “It was in this room that Louis XV. used to do me the honour to dine. There was a tribune above for the musicians who played and sang during dinner.”
Mme. Le Brun generally spent the evening alone with Mme. Du Barry by the fireside. The latter would sometimes talk of Louis XV. and his court, always with respect and caution. But she avoided many details and did not seem to wish to talk about that phase of her life. Mme. Le Brun painted three portraits of her in 1786, 1787, and in September, 1789. The first was three-quarters length, in a peignoir with a straw hat; in the second, painted for the Duc de Brissac, she was represented in a white satin dress, leaning one arm on a pedestal and holding a crown in the other hand. This picture was afterwards bought by an old general, and when Mme. Le Brun saw it many years later, the head had been so injured and re-painted that she did not recognise it, though the rest of the picture was intact.
Painted by herself
MADAME LE BRUN ET SA FILLE
The third portrait Mme. Le Brun retained in her own possession—for she had begun it in September, 1789, when the terrors of the Revolution were beginning. As she painted at Louveciennes they could hear the thunder of the cannonades, and the unfortunate Mme. Du Barry said to her—
“If Louis XV. were alive all this would certainly not have happened.”