In order to get at the conditions which govern and give introductory impulses to that peculiar force which acts on the sympathetic medium that associates matter with matter, inducing magnetic antagonisms, it will be necessary to explain the triune conditions that govern sympathetic streams; as also the triune conditions of corpuscular association.
All forces in nature are mind forces: magnetic, electric, galvanic, acoustic, solar, are all governed by the triune streams of celestial infinity; as also the molecular, inter-molecular, atomic, and inter-atomic. The remote depths of all their acoustic centres become subservient to the third, sixth, and ninth position of the diatonic, harmonic and enharmonic chords; which, when resonantly induced, concentrate concordant harmony, by reducing their range of corpuscular motion, drawing them as if towards each other’s neutral centre of attractive infinity.
The sympathetic acoustic exciters, or impulses, are: 1st. the third diatonic; 2nd. the harmonic sixths neutralizing affinity; 3rd. the enharmonic ninths—positive acceleration, which induces infinite trajective velocity from neutral centres; in other words, neutral radiation.
Every molecule in nature represents, without variation, the same chord. Variations that show up in the mass chord of different visible aggregations, are accounted for by the non-uniformity of their molecular groupings. If all were molecularly homogeneous, the chord masses of all structures would be perfectly alike in their resonant impulses.
When the triple introductory impulse is transmitted towards the mass to be sensitized, it subserves the molecular concordant thirds and antagonizes the discordant sixths extending the range of their oscillating paths; and thus induces the highest order of repellent antagonism towards the centre of neutral equilibrium.
We will now follow out, in their progressive orders, the conditions necessary to give to these acoustic introductory impulses the power, as transmitted through the proper media, to induce molecular dissociation.
First: If I wish to disturb and bring into action the latent force held in the embrace of any molecular mass, I first find out what the harmonic chord or note of its mass represents; and as no two masses are alike, it would seem to necessitate an infinite number of variations to operate on different masses; but such is not the case. All masses can be subserved to one general condition by the compound mechanical devices which I use for that purpose. We will suppose that the mass to be experimented upon, when chorded, represents B flat. Then, first, the negative radiating focalizing bar on the disk is liberated from its dampening rod, and associated with the magnetic defocalizing one. There are seven ranges of bars in all.
(See symbol representing sympathetic transmissive chord of B flat, third octave on third diatonic.)
The seven assemblings are in this order:
| Electro | Harmonic | |||||
| Dominant | Magnetic | Diatonic | Enharmonic. | Negative | ||
| 3rd. | 6ths. | 7ths. | ||||
| I. | II. | III. | IIII. | IIIII. | IIIIII. | IIIIIII. |
| Twenty-eight in number. | ||||||