M. Jourdain.

Alice Dryden.

London, September, 1901.

CONTENTS

I.—[Needlework][1]
II.—[Cut-work][14]
III.—[Lace][26]
IV.—[Italy.—Venice—Milan ("Milano la Grande")—Florence—The Abruzzi—Romagna—Naples—Genoa ("Genova La Superba")—Cantu—Sicily][45]
V.—[Greece—Crete—Turkey—Malta][82]
VI.—[Spain—Portugal][90]
VII.—[Flanders—Brussels (Brabant)—Mechlin—Antwerp—Flanders (West)—Flanders (East)—Hainault][109]
VIII.—[France to Louis XIV.][139]
IX.—[Louis XIV.][150]
X.—[Louis XIV.—continued][161]
XI.—[Louis XV.][171]
XII.—[Louis XVI. to the Empire][179]
XIII.—[The Lace Manufactures of France—Alençon (Dép. Orne), Normandy][188]
XIV.—[Argentan (Dép. Orne)][202]
XV.—[Isle de France.—Paris (Dép. Seine)—Chantilly (Dép. Oise)][209]
XVI.—[Normandy—Seine Inférieure—Calvados—Bretagne][216]
XVII.—[Valenciennes (Dép. du Nord)—Lille (Dép. du Nord)—Arras (Artois) (Dép. Pas-de-Calais)—Bailleul (Dép. du Nord)][230]
XVIII.—[Auvergne and Vélay—Le Puy (Dép. Haute-Loire)—Aurillac and Murat (Dép. Cantal)][242]
XIX.—[Limousin—Lorraine—Champagne—Burgundy—Lyonnois—Orléanois—Berry—Poitou][250]
XX.—[Holland, Germany, Switzerland, Austria and Hungary—Holland—Saxony—Germany (North and South)—Switzerland][258]
XXI.—[Denmark—Sweden—Russia][272]

XXII.—

[England To Queen Elizabeth][285]
XXIII.—[Queen Elizabeth][299]
XXIV.—[James I. to the Restoration.—James I.—Charles I.—The Commonwealth][315]
XXV.—[Charles II. to the House of Hanover.—Charles II.—James II.—William III.—Queen Anne][335]
XXVI.—[George I.—George II.][351]
XXVII.—[Smuggling][358]
XXVIII.—[George III.][363]
XXIX.—[The Lace Manufactures of England][371]
XXX.—[Bedfordshire—Buckinghamshire—Northamptonshire—Suffolk][375]
XXXI.—[Wiltshire and Dorsetshire][395]
XXXII.—[Devonshire—Honiton—Trolly Lace—Japan][399]
XXXIII.—[Scotland][418]
XXXIV.—[Lace Manufactures of Scotland][428]
XXXV.—[Ireland][435]
XXXVI.—[Bobbin Net and Machine-Made Lace—Bobbin Net—France—Belgium—Machinery Lace][447]
APPENDIX[459]
GLOSSARY OF TERMS[503]
INDEX[507]

LIST OF ILLUSTRATIONS

PAGE
Anne, Daughter of Sir Peter Vanlore, Kt.Frontispiece
Gold Lace found in a barrowFig. 1[4]
Argentan.—Circular Bobbin Réseau; Venetian NeedlepointPlate I[12]
Italian Bobbin Réseau; Six-pointed Star-meshed Bobbin Réseau; Brussels Bobbin Réseau; Fond Chant of Chantilly and Point de Paris; Details of Bobbin Réseau and Toile; Details of Needle Réseau and Buttonhole StitchesPlate II[14]
Point CoupéFig. 2[18]
Altar or Table-cloth of Fine Linen (probably Italian)Plate III[18]
LacesFig. 3[19]
Elizabethan Sampler" 5[22]
Impresa of Queen Margaret of Navarre" 4[23]
Spider-workFigs. 6, 7[24]
Fan Made at BuranoPlate IV[24]
Italian Punto Reale" V[24]
Grande Dantelle au Point devant l'AiguilleFig. 8[28]
Petite DantelleFigs. 9-12[29]
Passement au FuseauFigs. 13, 14[30]
Passement au FuseauFig. 15[31]
Merletti a Piombini" 16[31]
Italian.—Modern Reproduction at BuranoPlate VI[32]
Heraldic (Carnival Lace)" VII[32]
Old MechlinFig. 17[35]
Italian, Venetian, Flat Needle-point LacePlate VIII[36]
Portion of a Band of Needle-point Lace" IX[36]
GuipureFig. 18[39]
Tape Guipure" 19[40]
Italian.—Point de Venise à la RosePlate X[44]
Italian.—Point Plat de Venise" IXI[46]
Italian.—Point de Venise à Réseau" XII[48]
Mermaid LaceFig. 20[50]
Reticella" 21[50]
Punto a Gropo" 22[52]
Gros Point de Venise" 23[52]
Punto a Maglia" 24[53]
Punto Tirato" 25[54]

Point de Venise à Bredes Picotées

" 26[54]
Venise Point" 27[55]
Gros Point de Venise" 28[56]
Point de Venise" 29[56]
Point Plat de Venise" 30[56]
Point de Venise à Réseau" 31[58]
Burano Point" 32[60]
Italian.—Modern Point de BuranoPlate XIII[60]
Italian.—Modern Reproduction at Burano" XIV[62]
Italian.—Milanese, Bobbin-made" IXV[64]
Reticella from MilanFig. 33[65]
Italian.—Venetian, Needle-madePlate XVI[66]
Italian.—Milanese, Bobbin-made" XVII[66]
Unfinished Drawn-workFig. 34[69]
Cushion made at the SchoolPlate XVIII[70]
Italy.—Group of Workers at Brazza School" XIX[70]
Genoa Point, Bobbin-madeFig. 35[74]
Lace Pattern found in the Church at Santa Margherita" 36[76]
Italian.—Bobbin Tape With Needle-made RéseauPlate XX[76]
Italian, Genoese.—Border" XXI[76]
Parchment Pattern used to cover a BookFig. 37[77]
Fringed Macramé" 38[80]
Italian.—Old Peasant Laces, Bobbin-madePlates XXII, XXIII[80]
Italian.—Modern Peasant LacePlate XXIV[80]
Silk Gimp LaceFig. 39[84]
Sicilian.—Old Drawn-workPlate XXV[84]
South Italian" XXVI[84]
Reticella, or Greek LaceFig. 40[85]
Loubeaux de Verdale" 41[88]
Italian, Rapallo—Modern Peasant LacePlate XXVII[88]
Maltese.—Modern Bobbin-made" XXVIII[88]
Bobbin Lace (Ceylon)Fig. 42[89]
The Work Room (16th century engraving)" 43[91]
Unfinished Work of a Spanish Nun" 44[94]
Spanish.—Modern Thread Bobbin LacePlate XXIX[94]
Spanish, Blonde.—White Silk Darning on Machine Net" XXX[94]
Unfinished Work of a Spanish NunFig. 45[95]
Unfini"hed Work"of a Span"" 46[96]
Old Spanish Pillow Lace" 47[100]
Portrait, Duchesse de MontpensierPlate XXXI[100]
Jewish" IXXXII[104]
Spanish" XXXIII[104]
Bobbin Lace (Madeira)Fig. 48[106]
Bobbin"Lace (Brazil)" 49[107]
Spanish.—Pillow-made 19th CenturyPlate XXXIV[108]
Paraguay.—"Nauduti"" XXXV[108]
Lace-makingFig. 50[110]
Flemish.—Portion of Bed-CoverPlate XXXVI[110]
Cap of Emperor Charles V.Fig. 51[112]
Isabella Clara Eugenia, Daughter of Philip II." 52[112]
Mary, Queen of Hungary, Cuff" 53[113]

Belgian Lace School

" 54[114]
Old Flemish Bobbin Lace" 55[114]
Old Flemish.—Trolle Kant" 56[115]
Brussels.—Point d'Angleterre à BridesPlate XXXVII[116]
Flemish.—Tape Lace, Bobbin-made" XXXVIII[116]
Brussels Needle-PointFig. 57[118]
Brussel" Needle-"" 58[120]
Brussels.—Point à l'Aiguille" 58A[120]
Old Brussels.—Point d'Angleterre" 59[122]
Old Br"ssels.—P"int d'Ang"" 60[124]
Mechlin, 17th and 18th CenturyPlate XXXIX[126]
Mechlin.—Period Louis XVI.Fig. 61[127]
Mechlin, formerly belonging to H.M. Queen Charlotte" 62[128]
Mechlin.—Three Specimens From Victoria and Albert MuseumPlate XL[128]
A Lady of AntwerpFig. 63[130]
Antwerp Pot Lace" 64[130]
Valenciennes Lace of Ypres" 65[132]
Flemish.—Flat Spanish Bobbin LacePlate XLI[132]
Flemish.—Guipure de Flandre" VXLII[134]
Belgian.—Bobbin-made, Binche" IXLIII[136]
Belgia".—Bobbi"-made, Marche" IXLIV[136]
Drawn and Embroidered Muslin, Flemish" IIXLV[136]
Ruff, Edged With Lace" IXLVI[142]
Brussels.—Flounce, Bobbin-made" XLVII[144]
Cinq-Mars.—M. de VersaillesFig. 66[145]
Cinq"Mars.—After his portrait by Le Wain" 67[146]
Lace Rose and Garter" 68[147]
Young Lady's Apron, time of Henry III" 69[148]
Brussels.—Bobbin-made, Period Louis XIV.Plate XLVIII[150]
Bru"els.—Point d'Angleterre à Réseau" XLIX[150]
Anne of AustriaFig. 70[151]
A Courtier of the Regency" 71[152]
Canons of Louis XIV" 72[154]
Chateau de Louvai" 73[156]
Chenille Run on a Bobbin-groundPlate L[156]
Brussels.—Bobbin-made" LI[156]
Le Grand BébéFig. 74[162]
Louvois, 1691" 75[163]
Madame de Maintenon" 76[164]
Lady in Morning déshabille" 77[165]
Le Grand Dauphin en Steinkerque" 78[168]
Madame du Lude en Steinkerque" 79[168]
Madame Palatine" 80[169]
Brussels.—Modern Point de GazePlate LII[170]
Madame Sophie de France, 1782Fig. 81[175]
Madame Adélaide de France" 82[176]
Madame Louise de FrancePlate LIII[176]
Madame ThérèseFig. 83[177]
Marie-Antoinette" 84[179]
Madame Adélaide de France" 85[182]

French.—Border of Point Plat de France

Plate LIV[188]
Colbert, + 1683Fig. 86[189]
Venice Point" 87[191]
French.—Point d'AlençonPlate LV[192]
Argentella, or Point d'Alençon à Réseau RosacéFig. 88[194]
Bed made for Napoleon I." 89[197]
Alençon Point à Petites Bredes" 90[200]
Point d'Alençon, Louis XV." 91[200]
Point d'Alençon. FlouncePlate LVI[202]-3
Point d'ArgentanFig. 92[204]
Poi"t d'Arg"ntan. Grande Bride ground" 93[206]
French.—Point d'Argentan, 18th CenturyPlate LVII[208]
Point de ParisFig. 94[210]
Point de France" 95[210]
French (or Dutch).—Victoria and Albert MuseumPlate LVIII[212]
ChantillyFig. 96[214]
Cauchoise" 97[217]
French, Chantilly.—FlouncePlate LIX[218]
French, Le Puy.—Black Silk Guipure" LX[218]
Petit Poussin, DieppeFig. 98[219]
Ave Maria, Dieppe" 99[220]
Point de Dieppe" 100[221]
Dentelle à la Vierge" 101[222]
Duc de Peuthièvre" 102[223]
French.—Blonde Male, in Spanish StylePlate LXI[226]
Modern Black Lace of BayeuxFig. 103[227]
Point Colbert" 104[228]
Valenciennes, 1650-1780" 105[230]
Valen"iennes, Period, Louis XIV." 106[232]
Valen"iennes, 17th and 18th CenturyPlate LXII[232]
Valen"Fig. 107[234]
Valenciennes Lappet" 108[234]
Lille" 109[236]
Li"" 110[238]
Arras" 111[240]
French, CambraiPlates LXIII, LXIV[246]
French, le PuyPlate LXV[246]
Point de BourgogneFig. 112[256]
William, Prince of OrangePlate LXVI[258]
Dutch Bobbin LaceFig. 113[260]
Tomb of Barbara Uttmann" 114[261]
Barbara Uttmann" 114A[262]
Swiss, NeuchatelPlate LXVII[264]
German, Nuremberg" ILXVIII[264]
English, Bucks" IIILXIX[264]
Hungarian.—Bobbin Lace" IIIILXX[268]
Austro-Hungarian" IIILXXI[268]
Shirt Collar of Christian IV.Fig. 115[273]
Tönder Lace, Drawn Muslin" 116[274]
Russian—Needlepoint; German—SaxonPlate LXXII[276]
Russian, Old Bobbin-made" LXXIII[276]

Russian, Bobbin-made in Thread

" LXXIV[280]
Dalecarlian LaceFig. 117[281]
Collar of Gustavus Adolphus" 118[282]
Russia, Bobbin-made, 19th Century" 119[284]
Cap, Flemish or GermanPlate XXV[288]
Fisher, Bishop of RochesterFig. 120[292]
English.—Cutwork and Needle-pointPlate LXXVI[292]
English.—Devonshire "Trolly."" LXXVII[292]
Fisher, Bishop of RochesterFig. 121[293]
Marie de LorrainePlate LXXVIII[298]
Queen Elizabeth's SmockFig. 122[308]
Christening Caps, Needle-made BrusselsFigs. 123, 124[309]
Mary Sidney, Countess of PembrokePlate LXXIX[316]
Henry Wrothesley, Third Earl of Southampton" LXXX[320]
Monument of Princess SophiaFig. 125[321]
Mon"ment "f Pri"cess Mary" 126[322]
Mary, Countess of Pembroke" 127[323]
Elizabeth, Princess PalatinePlate LXXXI[326]
Falling Collar of the 17th CenturyFig. 128[327]
Boots, CuffsFigs. 129, 130[328]
English Needle-made LaceFig. 131[328]
James HarringtonPlate LXXXII[332]
James, the Old Pretender, and His Sister, Princess Louisa" LXXXIII[344]
John Law, the Paris Banker" LXXXIV[352]
RiponFig. 132[373]
English, Buckinghamshire, Bobbin LacePlate LXXXV[374]
Buckinghamshire TrollyFig. 133[381]
Bucking"amshire Point" 134[382]
Bucking"amshire Po"" 135[383]
English, Northamptonshire, Bobbin LacePlate LXXXVI[384]
Old FlemishFig. 136[385]
Old Brussels" 137[385]
"Run" Lace, Newport Pagnell" 138[386]
English Point, Northampton" 139[386]
"Baby" Lace, Northampton" 140[387]
nB"byn L"ce Beds" 141[387]
nB"byn L"ce Bucks" 142[387]
Wire Ground, Northampton" 143[388]
Valenciennes "" 144[388]
Regency Point, Bedford" 145[389]
Insertion, "" 146[389]
Plaited Lace, "" 147[392]
Raised Plait, "" 148[393]
English, Suffolk, Bobbin LacePlate LXXXVII[394]
English Needle-made LaceFig. 149[396]
Honiton With the Vrai RéseauPlate LXXXVIII[402]
Bone Lace from Cap, DevonshireFig. 150[404]
Monument of Bishop Stafford, Exeter Cathedral" 151[406]
Monument of Lady Doddridge Exe"er Cath"" 152[407]
Honiton, sewn on plain pillow ground" 153[408]

Old Devonshire

" 154[408]
Honiton Guipure" 155[410]
Honeysuckle, Sprig of Modern Honiton" 156[411]
Old Devonshire Point" 157[412]
Lappet made by the late Mrs. Treadwin of Exeter" 158[412]
Venetian Relief in Point" 159[414]
English.—Devonshire. Fan Made at Beer for the Paris Exhibition, 1900Plate LXXXIX[416]
Sir Alexander GibsonFig. 160[424]
Scotch, Hamilton" 161[431]
Irish, YoughalPlate XC[436]
Irish, Carrickmacross" IIXCI[442]
Irish, Limerick Lace" IXCII[442]
Irish, Crochet Lace" XCIII[446]
Arms of the Framework Knitters' CompanyFig. 162[447]
The Lagetta, or Lace-bark Tree" 163[456]
Metre P. QuintyFigs. 164, 165[460]
Pattern Book, Augsburg" 166, 167[462]
AugsburgFig. 168[463]
Le Pompe, 1559" 169[473]
Manner of Pricking Pattern" 170[486]
Frankfort-on-the-Main, 1605" 171[492]
Monogram" 172[492]
"Bavari," from "Ornamento nobile" of Lucretia Romana" 173[498]

HISTORY OF LACE.

CHAPTER I.

NEEDLEWORK.