In our own country, in 1423, we have a statute touching the deceitful works of the embroiderers of gold and of silver of Cipre, which shall be forfeited to the king.[[251]] But the secret of these cunning works became, after a time, known throughout Europe. Of cut-works or laces from Cyprus[[252]] and the islands of the Grecian seas, there is no mention; but we hear much of a certain point known to the commerce of the seventeenth century as that of Ragusa, which, after an ephemeral existence, disappears from the scene. Of Ragusa, says Anderson, "her citizens, though a Popish state, are manufacturers to a man."

Ragusa, comparatively near the Montenegrin sea-board, and north-western coast of Greece, was, in the fifteenth and early sixteenth centuries, one of the principal Adriatic ports belonging to the Venetian Republic. Certain it is that this little republic, closely allied with the Italian branches of the House of Austria, served them with its navy, and in return received from them protection. The commerce of Ragusa consisted in bearing the products of the Greek islands and Turkey to Venice, Ancona, and the kingdom of Naples;[[253]] hence it might be inferred that the fine productions of the Greek convents were first introduced into Italy by the merchants of Dalmatia, and received on that account the denomination of points de Raguse. When Venice had herself learned the art, these cut-works and laces were no longer in demand; but the fabric still continued, and found favour in its native isles, chiefly for ecclesiastical purposes, the dress of the islanders, and for grave-clothes.

In our English statutes we have no allusion to the point de Raguse; in those of France[[254]] it appears twice. "Tallemant des Réaux"[[255]] and the "Révolte des Passemens"[[256]] both give it honourable notice. Judging from the lines addressed to it in the last-named jeu d'esprit, point de Raguse was of a more costly character, "faite pour ruiner les estats,"[[257]] than any of those other points present. If, however, from this period it did still form an article of commerce, we may infer that it appeared under the general appellation of point de Venise. Ragusa had affronted Louis Quatorze by its attachment to the Austro-Italian princes; he kicked out her ambassadors,[[258]] and if the name of the point was unpleasant, we may feel assured it was no longer permitted to offend the royal ears.

Fig. 39.

Silk Gimp Lace.

Though no manufacture of thread lace is known at Ragusa, yet much gold and silver lace is made for ornamenting the bodices of the peasants. They still also fabricate a kind of silk lace or gimp, made of twisted threads of cotton covered with metal, which is sewn down the seams of the coats and the bodices of the peasantry. The specimen, illustrated in Fig. 39, may possibly be the old, long-lost point de Raguse. Its resemblance, with its looped edges, to the pattern given from Le Pompe,[[259]] published at Venice in 1557, is very remarkable. We have seen specimens from Italy and Turkey.

Plate XXV.

Sicilian. Old Drawn-work.—Height, 12 in.