Nevertheless, the rain brought new life and energy to the humans. Kuppi, the Malay boy fetched buckets of water from the replenished lagoon, and scoured and scrubbed with great alacrity. He came timidly to his master, and asked if he might not wash out with boiling water the closed parlour and Lady Bridget's unused bedroom. He was afraid that the white ants might have got into them.
McKeith's face frightened Kuppi. So did the imprecation which his innocent request evoked. He was bidden to go and keep himself in his own quarters, and not show his face again that day at the New House.
Since Lady Bridget's departure, McKeith had slept, eaten and worked in the Old Humpey, his original dwelling.
But Kuppi did not know that the white ants had not been given a chance to work destruction upon 'the Ladyship's' properties. Regularly every day, McKeith himself tended those sacred chambers. Bridget's rooms were just as she had left them.
He had done nothing yet towards dismantling that part of the New House in which she had chiefly lived. He had put off the task day after day. But since receiving Moongarr Bill's letter, and now that the drought had broken, and the Man in Possession a prospect as certain as that there would come another thunderstorm, he knew that he must begin his preparations to quit Moongarr.
To do this meant depriving himself of the miserable comfort he found during wakeful nights and the first hour of dawn—the time he usually chose for sweeping and cleaning his wife's rooms—of roaming, ghost-like, through the New House where every object spoke to him of her. In the day time, he shrank from mounting the steps which connected the verandas, but in the evenings, he would often come and stroll along the veranda, and sit in the squatter's chair she had liked, or in the hammock where she had swung, and smoke his pipe and brood upon the irrevocable past. And then he would suddenly rush off in frantic haste to do some hard, physical work, feeling that he must go mad if he sat still any longer.
To-day however, after Kuppi had fled to the kitchen, he went into his old dressing room and stood looking at the camp bed, and thought of the day of Bridget's fever when Harris had given him her note to Maule, and he had sat here huddled on the edge of the bed wrestling dumbly with his agony. The association had been too painful, and in his daily tendance he had somewhat neglected this room and had usually entered the other by the French window from the veranda. Thus, he saw now that a bloated tarantula had established itself in one corner, between wall and ceiling, and an uncanny looking white lizard scuttered across the boards, and disappeared under a piece of furniture, leaving its tail behind. A phenomenon of natural history at which, he remembered now, Bridget had often wondered.
He opened the door of communication—where on that memorable night, he had knocked and received no answer—and passed through it treading softly as though he were visiting a death chamber. And indeed, to him, it was truly a death chamber in which the bed, all covered over with a white sheet, might have been a bier, and the pillows put lengthwise down it, the shrouded form of one dearly loved and lost. He gazed about, staring at the familiar pieces of furniture, out of wide red eyes, smarting with unshed tears. In her looking glass, he seemed to see the ghost-reflection of her small pale face with its old whimsical charm. The shadowy eyes under the untidy mass of red-brown hair, in which the curls and tendrils stood out as if endowed with a magnetic life of their own; the sensitive lips; the little pointed chin; and, in the eyes and on the lips, that gently mocking, alluring smile.
There were a few poems that Colin had taught himself to say by heart, and which he would recite to himself often when he was alone in the Bush. THE ANCIENT MARINER was one, and there were some of Rudyard Kipling's and he loved THE IDYLLS OF THE KING—in especial GUINIVERE. Three lines of that poem leaped to his memory at this moment.
'THY SHADOW STILL WOULD GLIDE FROM ROOM TO ROOM
AND I SHOULD EVERMORE BE VEXT WITH THEE
IN HANGING ROBE AND VACANT ORNAMENT.'