Then, as she said, half crying, half laughing, 'I see. So this is my baptism into the Bush! You should have taught me the vocabulary, Colin, first.'

'Don't be too hard on me. You won't have this kind of thing at Moongarr. That's the worst of these cursed coast townships. I shouldn't have left you alone, but if I hadn't, we couldn't have got off properly to-morrow, and I'd set my heart on having things ship-shape for our first camping out. Everything's fixed up now—I've been wiring like mad up the line .... The buggy's at the Terminus all right, and I've got the black-boys there, and the tent and all that. It's going to be an experience you'll never forget. THAT'S to be your baptism into the Bush, my dear .... If only there's water enough left in the Creek yet .... But if there isn't we can dig for it. Oh, Biddy, think of it—a night like this—moonlight and starlight—MY starlight—MY star, that I used to look up at and wonder about, come down to earth. No, no, I won't maunder, I won't be a romantic zany—not till to-morrow night—I know the very spot for our camp ....'

He began to describe it—a pocket by the river bed—pasturage for the horses—then pulled himself short. No! He wanted it all to be a surprise .... She was to have just the very thing she had often said to him she would like best .... And now it was getting late and they must be up in good time to-morrow. Would she go to bed and try to sleep....

He took her to the door of her room .... Was she as comfortable as she could be here, anyhow? .... He knew it must seem cruelly rough to her; but it wouldn't be his fault in the future if she didn't have things as she liked them—so far as conditions would permit .... And after all, there women who enjoyed a wild life with their husbands. There was Lady Burton—and scores of other women—Biddy had asked him to have patience—and he meant to be patient—he worshipped her too much not to be patient. Well, she must be patient too with him, and with this queer old Bush which she would get to feel as much at home in as he did himself—in time.

He left her at her bedroom door, kissing her hand with the native chivalry that sat well upon him, and went back to his pipe and the waking dreams of an ardent but self-restrained lover who had practical as well as romantic considerations to weigh. Bridget went to sleep with the smell of his tobacco—and yet did not seem to mind it in the least—coming in whiffs through the door cracks and filling her nostrils. She too dreamed—a vivid dream, but by some law of contrariety, not of any idyllic camping ground in the Never-Never Land. She dreamed that she was seeing the Carnival at Nice—a medley of dancing waves, azure sky, palms, gold-laden orange trees and white green-shuttered houses—flowers, CONFETTI, masks, grotesque pageantry, the merry music of the South. And though he had never been with her at Nice, Willoughby Maule came into her dream. They were doing impossible things—dancing together in the Carnival crowd, flinging confetti, bobbing and grimacing before the comic masks. Then the carnival scene seemed to turn flat, and to become a painted picture on the drop curtain of a stage, and she started up at the sound of knocks such as one hears before the curtain rises in a French theatre.

CHAPTER 5

Her husband was at her door calling her in the grey of dawn. He had everything ready he said. She dressed fumblingly as if she were still in her dream, and they walked to the station-shed whither the baggage had already gone. The sun was only a little way above the horizon when they took their places in the bush train that was to bear her on the second stage of her journey into the Unknown. Such a wheezy, shaky little train, and such funny, ugly country! Sandy flats sparsely grown, mostly with gum trees, where there were no houses and gardens. Near the township there were a good many of these wooden dwellings with corrugated iron roofs—some of the more aged ones of slab—and with a huge chimney at one end. They were set in fenced patches of millet and Indian corn or gardens that wanted watering and with children perched on the top rail of the fences who cheered the train as it passed. Sometimes the train puffed between lines of grey slab fencing in which were armies of white skeleton trees that had been 'rung' for extermination, or with bleached stumps sticking up in a chaos of felled trunks, while in some there had sprung up sickly iron-bark saplings.

Now and then, they would stop at a deserted-looking station, round which stood a few shanties, and the inevitable public house. Maybe it had formerly been a sheepfold, abandoned when the scab had destroyed the flocks; and there were enormous rusty iron boiling-pots to which a fetid odour still clung, and where the dust that blew up, had the grittiness and faint smell of sun-dried sheeps' droppings.

At one of the more important stopping places, they had early lunch of more fried steak, with sweet potatoes and heavy bread and butter and peach jam. Most of the other passengers got out for lunch also.

There was a fifth-rate theatrical company cracking jokes among themselves, drinking brandy and soda at extortionate prices, and staring hard at Lady Bridget. Colin pointed out to her a lucky digger and his family—two daughters in blue serge trimmed with gold braid, and a fat red-faced Mamma, very fine in a feathered hat, black brocade, a diamond brooch, and with many rings and jangling bangles. There were some battered, bearded bushmen who seemed to be friends of Colin's, though he did not introduce them to his wife, and who talked on topical subjects in a vernacular which Lady Bridget thought to herself she would never be able to master. There was a professional horse-breaker whom McKeith hailed as Zack Duppo, and to whom he had a good deal to say also. There were some gangs of shearers or stockmen or what not, who appeared to be the following of two or three rakish, aggressive looking males upon whom the bushmen scowled. Union delegates, Strike Organisers, McKeith explained.