They did make their appearance during the progress of the drama (Monk Lewis’s “Castle Spectre,” in which Mrs. M‘Gibbon gave ocular demonstration that she was not killed), both seemingly exhilarated, but they left again before the drama concluded.
Well drilled as were Madame Broadbent’s pupils, they could not quit their box in the same order they entered it—big people so seldom recognise the right of little ones to precedence. They straggled into the saloon, separated by the crowd. There Madame Broadbent, assisted by Miss Nuttall, collected her brood, and passing on to the box-lobby, they looked around for their respective attendants.
There was one—a fine young man, in height some five feet ten—who sprang forward with shawl and calesh for Miss Ashton, at the same time bowing deferentially to the pompous dame with the big fan. He proceeded to adjust the shawl round the dimpled shoulders so very precious to him, and said—
“I hope you have had a pleasant evening, Miss Augusta.”
Then bowing again to Mrs. Broadbent, he offered his hand respectfully to the young lady, to conduct her home.
On the instant they were intercepted by Aspinall and Walmsley, neither so sober as he might have been.
“Augusta, here’s my friend, Aspinall; deuced good fellow—quite struck with you,” was Captain Walmsley’s unceremonious introduction—at a time, too, when introductions were somewhat formal.
“Quite, Miss Ashton,” he assented. “’Pon my soul, I am! Your charming face has quite captivated me, and those eyes pierce my heart like bullets. Permit me to escort you home.”
There was an amusing consciousness of his own attractions in this free expression of his admiration. A woman of the world, with her weapons ready, might have dismissed him either with hauteur, badinage, or cool indifference; but to Augusta Ashton, almost a child in years, it was bewildering and disconcerting.
Her eyes fell—her colour rose. She stood silent, abashed, and confused. Native modesty took alarm.