He tore his neckcloth off, and cast it from him, stripped off coat and vest, and flung them aside, as though they held his passionate folly, and he had done with it, then sank into a chair, the very impersonation of listless hopelessness. He had gone through all this struggle once before, and thought he had overcome his weakness; but at the touch of the enchanter’s wand love had blazed up afresh, and was not to be smothered.

His reverie was broken into by the tread of many feet on the staircase below, and the murmur of voices calling one to another; the hall-door shut with a clang, and then a light foot came tripping up the stair alone, and from heart and lips dropped unconsciously the soft refrain of that too well-known duet. She, too, was carrying to her chamber memories of the night, and bearing the burden blithely.

He listened until a door closed upon step and song. Then as if its echoes pierced his soul, he set his teeth and clenched his outstretched hands in mute agony. There was more than hopeless love in this—there was jealousy also. Then he murmured half audibly, “If he were only worthy of her I could bear it better; but to see her cast her heart at the feet of one who will trample on it, is beyond mortal endurance.”

He started to his feet. A bright thought irradiated his face.

“Coward that I am! I am quitting the battle without striking a blow. I am myself unworthy of Augusta if I surrender her to a heartless profligate without an effort to save her. ‘Faint heart never won fair lady.’ Women have stooped lower, and lowly men have looked higher ere now. I am making way, but I must make money too, if I would look above me. Father and mother look on me with favour, and why not the daughter? She may learn the worthlessness of the fine gentleman in time. Courage, Jabez! Work with a will; do your duty. Miss no opportunity, and the gold and the goddess may both be yours in the end, and honestly won.”

He sprang into bed fresher and lighter than he had been all day, the prayer of that other Jabez rising from his heart with the fervour of old times.

CHAPTER THE THIRTY-FOURTH.
BIRDS OF A FEATHER.

THE Palace Inn on the north side of Market Street Lane was the last relic of that cramped thoroughfare to disappear at the bidding of Improvement. Possibly because its many eyes and bald dark-red-brick face looked out on a space so much beyond the twenty-one yards assigned by Act of Parliament to the regenerated street that the Improvement Committee had no powers to meddle with it, for surely its historic associations were not sufficient to protect it. Prince Charles Edward had been hospitably lodged and entertained beneath its roof by its owner, Mr. Dickenson, long ere it became an inn; he had harangued his devoted followers from the stone plateau of its double flight of steps, with his hand perchance on its smooth rail of unornamented iron; but in isolated dignity rather than palatial pretensions lay its chief safeguard. Be that as it may, fourteen or fifteen years elapsed between the first act of demolition for widening (at the shop of a Mr. Maund), and that last feat of narrowing, which blocked up and darkened history (as represented by the Palace) with common stone warehouses for every-day merchandise. Alas! Clio and all her sister muses must succumb when Mammon is on the march!

But Mammon had only got his first foot in the street on that Thursday morning in July, which blushed at the doings of the Coronation night, and the Palace Inn yet held its head high as beseemed its historic state. The open space in front was enlivened by the newly-painted London stage-coach, the Lord Nelson, the fresh scarlet coats of coachmen and guards, the assembling of passengers and luggage, the shouting and swearing of half-awake ostlers and porters, the grumbling of the first-comers (shivering in the raw air) at the unpunctuality of the stage, the excuses of the booking-clerk, the self-gratulations of the last arrival that he was “in time,” the dragging of trunks and portmanteaus on to the top, the thrusting of bags and boxes into the boot, the harnessing of snorting steeds, the horsing of the vehicle, the scrambling of the “outsiders” to the top by the ladder and wheel, the self-satisfied settlement of the “insides” in the places they had “booked for,” the crushing and thrusting of friends with last messages and parting words, the crack of the whip, the sound of the bugle, the prancing of horses, the rattle of wheels, and the dashing off up Market Street Lane of the gallant four-in-hand, amid the hurrahs of excited spectators.