“Sit down, Ellen; Jabez Clegg does not require a young lady’s help to understand those pictures—they explain themselves.”
Ellen went back to her seat and her sewing with a raised colour, and a private impression that the rebuke was uncalled for, though she spoke never a word. Perhaps Mrs. Chadwick thought condescension should have its limits, and did not believe in a young lady’s impulsive civility to an apprentice Blue-coat boy. Yet that was not like Mrs. Chadwick.
Miss Augusta had been staying with her aunt. Part of his commission was to convoy her home; she was an only child, and too precious to be trusted out alone, though she was in her eleventh year, and the distance was nothing. But so many desperadoes had been let loose by the termination of the war that crime and violence were rampant, footpads infested highways and byways, and Cicily, Augusta’s maid—ex-nurse—was no longer deemed a protection.
He stood before the last engraving when Augusta—in no awe of her father’s apprentice—came dancing into the room in a nankeen dress and tippet, a hat with blue ribands, long washing-gloves which left the elbows bare, and blue shoes tied with a bunch of ribands.
Bright, beautiful, buoyant—she was a picture in herself; and Jabez turned from the dingy engraving to think so. She often came tripping into the warehouse or the kitchen, and exchanged a bright word with one or other, and away again; but Jabez had thought of her only as a pretty playful child until that afternoon. Joshua Brookes pointing Hogarth’s lessons had given the one spur; that lovely brown-eyed, brown-haired maiden, with her simple, “Come, Jabez—I’m ready,” had given another.
She put her little gloved hand in his, after bidding her aunt and cousin good-bye, and went dancing, skipping, and chattering by his side down Oldham Street, and let him lift her over the muddy crossing to Mosley Street, unconscious of the chimerical dreams floating through his apprentice brain all the while. His original ambition to make a home for Simon and Bess, where neither penury nor care should trouble them, dwarfed before the new ideas crowding upon his mind. He had read the sermon on the wall, but the old “Knave of Clubs,” as Joshua was called, little thought how that pretty piquant little fairy, the “master’s daughter,” would point it with something higher than ambition.
There were at that period in Manchester two schools for young ladies, which, being celebrated at the time, deserve to be mentioned. The one was situated at the extreme end of Bradshaw Street, looking through its vista across Shudehill to the gaps in brickwork called Thomas Street and Nicholas Croft, where in highly genteel state Mrs. (or Madame, as she insisted on being called) Broadbent superintended the education of a large and very select circle.
Education must have been at a low ebb when the chief manufacturers of the town consigned their daughters to this pompous, pretentious woman, who could not speak correctly the language she professed to teach. In her attempt to appear the print and pattern of a lady, she “clipped the King’s English,” and made almost as glaring errors as Mrs. Malaprop. Yet, strange to say, she turned out first-class pupils (for the period). The fact is, she was shrewd enough to know her own deficiencies, and delegated her duties to others who were in all respects efficient.
Then she was a wonderful trumpeter of her own fame; made frequent visitations at houses where she was well entertained, and her bombast was listened to for the sake of her young charges; held half-yearly recitations, and also exhibitions of the plain sewing, embroidery, knitting, knotting, filigrees, tambour, and lace work of her pupils; and matrons proud of their own daughters’ achievements seldom paused to reckon up the tears, the headaches, the heartaches, the sore fingers which those minutely-stitched shirts, those fine lace aprons and ruffles, those pictures and samplers had cost. For Madame Broadbent, besides being a martinet rigid in her rule—having a numbered rack for pattens and slippers, numbered pegs for cloaks and hats, book-bags and work-bags, safe-guards (receptacles for sewing, &c., like a huckster’s pocket) and slates, all numbered likewise—was not of too mild a temper, and had a penchant for pinching her pupils’ ears until the blood tinged her nails; and stocks for the feet, backboards for the shoulders, and dry bread diet were her prescriptions for the cure of such delinquencies as an unauthorised word, an omitted curtsey, a bag or garment on the wrong hook, a dropped stitch in knitting, a blotted copy, a puckered seam; and work had to be done and undone until stitches were almost invisible, and little eyes almost blind. She had other peculiarities, had Madame Broadbent—but my portrait is growing too large for its frame, and she was not a large personage at all.
It was to this delectable individual’s school (“establishments” had not been invented then, or hers would have been one) that Miss Augusta Ashton was consigned for conversion into a well-behaved, well-informed, useful, and accomplished young lady.