About Peggy Saville

by Mrs. George de Horne Vaizey

“‘In sooth, I know not why I am so sad,’” quoth the wearer of the feathers, scowling darkly at the frivolous prattler, who straightway hid her head behind her book, and read Salanio’s first speech in a tone of meek apology.

There was a great deal of confusion about the first scene, for four people had to read the parts of six, and one of the number was so much occupied with gazing at the costumes of the actors that she invariably lost her place, and had to be called to order by significant coughs and glances. By this time it generally happened that the vicar had made up his mind to come to the rescue, and both husband and wife would begin to read at the same moment, to their own amusement, and to the disgust of the two lads, who felt uncomfortable in their borrowed plumes, and keenly sensitive about their precious dignity. Antonio mumbled his last speech in undignified haste, and followed Bassanio out of the room, prepared to echo his statement that this sort of thing was “tomfoolery,” and that he wasn’t going to make an idiot of himself any longer to please Peggy Saville, or any other girl in the world. But the words died on his lips, for outside, in the hall, stood Peggy herself, or rather Portia, and such a Portia as made him fairly blink with amazement! Amidst the bustle of the last few days Portia’s own costume had been kept a secret, so that the details came as a surprise to the other members of the party. Nerissa stood by her side, clad in a flowing costume, the component parts of which included a dressing-gown, an antimacassar, and a flowered chintz curtain; but, despite the nature of the materials, the colouring was charming, and frizzled hair, flushed cheeks, and sparkling eyes, transformed the sober Esther into a very personable attendant on the lady of Belmont. There was nothing of the dressing-gown character about Portia’s own attire, however. Its magnificence took away the breath of the beholders. The little witch had combed her hair to the top of her head, and arranged it in a coil, which gave height and dignity to her figure. A string of pearls was twisted in and out among the dark tresses; her white silk frock was mysteriously lengthened and ornamented by two large diamond-shaped pieces of satin encrusted with gold, one placed at the bottom of the skirt, and the other hanging loosely from the square-cut neck of the bodice. Long yellow silk sleeves fell over the bare arms and reached the ground; and from the shoulders hung a train of golden-hued plush, lined with a paler shade of yellow. Bassanio and Gratiano stood aghast, and Portia simpered at them sweetly in the intervals between dispensing stage directions to the boot boy, who was clad in his best suit for the occasion, and sent to and fro to change the arrangement of the scenery. He wheeled the sofa into the centre of the room, piled it up with blue cushions, and retired to make way for the two ladies, who were already edging in at the door.

A gasp of astonishment greeted their appearance, but when Peggy dragged her heavy train across the room, threw herself against the cushions in an attitude calculated to show off all the splendour of her attire, when she leant her pearl-decked head upon her hand, turned her eyes to the ceiling, and said, with a sigh as natural and easy as if they were her own words which she was using, and not those of the immortal Shakespeare himself, “‘By my troth, Nerissa, my little body is a-weary of this great world!’”—then the vicar broke into a loud “Hear! hear!” of delight, and Mrs Asplin seized the poker and banged uproarious applause upon the fender. For the first few minutes amazement and admiration held her dumb; but as the girls moved to and fro, and the details of their costumes became more apparent, she began to utter spasmodic cries of recognition, somewhat trying to the composure of the actors.

Portia’s description of her lovers was interrupted by a cry of, “My table centres! The Turkish squares I bought at the Exhibition, and have never used! Wherever did they find them?” while a little later came another cry, as the identity of the plush train made itself known, “My portière from the drawing-room door! My beautiful portière—with the nice new lining! Oh dear, dear! it’s dragging about all over the dirty carpet! Don’t sit on it, dear! For pity’s sake, don’t git on it!”

“Mother!” cried Esther, in a deep tone of remonstrance; but Portia was unconscious of interruption. The other actors held their books in their hands, and, for the most part, read their speeches; but Peggy trusted entirely to memory, and sighed and yawned over the denunciation of her lovers, with evident satisfaction to herself as well as to the beholders. Nerissa read her part “conscientiously,” as the newspapers would say, punctuating her sentences in exemplary fashion, and laying the emphasis upon the right words as directed by the stage manageress; but, such is the contrariness of things, that, with all her efforts, the effect was stiff and stifled, while Peggy drawled through her sentences, or gabbled them over at break-neck speed, used no emphasis at all, or half a dozen running, at her own sweet will, and was so truly Portia that the vicar wondered dreamily if he should have to interview the Duke of Morocco in his study, and Mrs Asplin sighed unconsciously, and told herself that the child was too young to be troubled with lovers. She must not dream of accepting any one of them for years to come!

At the end of the scene, however, anxiety about her beloved portière overpowered everything else in the mind of the vicar’s wife, and she rushed after the actors to call out eager instructions. “Hang it up at once—there’s good children. If you put it down on a chair, Peggy will sit on it as sure as fate! And oh! my table centres! Put them back in the drawer if you love me! Wrap them up in the tissue paper as you found them!”

“Mother, you are a terrible person! Go back, there’s a dear, and do keep quiet!” cried a muffled voice from behind the dining-room door, as Shylock dodged back to escape observation; and Mrs Asplin retreated hastily, aghast at the sight of a hairy monster, in whom she failed to recognise a trace of her beloved son and heir. Shylock’s make-up was, in truth, the triumph of the evening. The handsome lad had been transformed into a bent, misshapen old man, and anything more ugly, frowsy, and generally unattractive than he now appeared it would be impossible to imagine. A cushion gave a hump to his shoulders, and over this he wore an aged purple dressing-gown, which had once belonged to the vicar. The dressing-gown was an obvious refuge; but who but Peggy Saville would have thought of the trimming, which was the making of the shaggy, unkempt look so much desired? Peggy had sat with her hands clasped on her lap, and her head on one side, staring at the gown when it was held out for her approval two days before, then had suddenly risen, and rushed two steps at a time upstairs to the topmost landing, a wide, scantily furnished space which served for a playground on wet afternoons. An oilcloth covered the floor, a table stood in a corner, and before each of the six doors was an aged wool rug, maroon as to colouring, with piebald patches here and there where the skin of the lining showed through the scanty tufts. Peggy gave a whoop of triumph, tucked one after the other beneath her arm, and went flying down again, dropping a mat here and there, tripping over it, and nearly falling from top to bottom of the stairs. Hairbreadth escapes were, however, so much a part of her daily existence that she went on her way unperturbed, and carried her bundle into the study, where the girls sniffed derisively, and the boys begged to know what she intended to do with all that rubbish.

“‘They that have no invention should be hanged,’” quoted Peggy, unperturbed. “Give me a packet of pins, and I’ll soon show you what I am going to do. Dear, dear, dear, I don’t know what you would do without me! You are singularly bereft of imagination.”

She tossed her pigtail over her shoulder, armed herself with the largest pins she could find, and set to work to fasten the mats down the front of the gown, and round the hem at the bottom, so that the wool hung in shaggy ends over the feet. The skins were thick, the heads of the pins pressed painfully into her fingers, but she groaned and worked away until the border was arranged for stitching, and could be tried on to show the effect.

“Perfectly splendid!” was the verdict of the beholders. And so the matter of Shylock’s gown was settled; but his beard still remained to be provided, and was by no means an easy problem to solve.