“There was a girl here who tried that before—Netta Bryce. That very same dodge.”
“Well?”
“She wished she hadn’t.”
“Why?”
“Try, and you’ll find out.”
“Nancy, you are horrid. What happened to her? Where is she now?”
“Dead!” croaked Nancy, and drew the screen around her bed. After that Dreda might question as much as she liked, but she knew well that never a reply would Nancy vouchsafe. It was really most tiresome!
She lay awake for a good ten minutes pondering over what could have happened to Netta Bryce, and if she had died soon, and under what conditions. Nancy was really the most aggravating of creatures!
Besides Miss Drake, commonly called “The Duck,” there were two other resident teachers at West Hill. Mademoiselle—a tiny, pathetic-looking little creature, warranted to fly into a temper in a shorter time, and upon less provocation, than any other woman in the United Kingdom; and Fraulein, a lumpish but amiable creature who gave lessons in German and music. Miss Bretherton herself took the whole school for the morning Bible lesson, and had a disagreeable habit of descending upon the different forms at unexpected moments, and taking the place of the regular teacher. Of course, the surprise visit invariably happened just at the moment when the girls had “slacked,” whereupon fright being added to ignorance, they would make such a poor display that they themselves were covered with confusion and their instructor with mortification. Almost every day at dinner time two or three girls could be observed with crimson cheeks and watery eyes gazing miserably at their plates, when the beholders would nudge each other significantly, and exchange glances of commiserating understanding. “Our turn next!”
Two masters also visited the school. Mr Broun, the professor of music, was a small, shaggy-looking personage, with a bumpy brow and eyes set extraordinarily far apart. He was a born musician, and, as a consequence, found it infinitely irritating to the nerves to be obliged to teach young ladies who had not one note of music in their composition, but whose parents considered an acquaintance with the pianoforte to be a necessity of education. When one of these unfortunates went up for her lesson, shouts and groans of despair could be heard outside the door of the music-room, accompanied by the sound of heavy footsteps pacing helplessly to and fro, and at the end of the half-hour the victim would emerge, red and tearful, or red and defiant, as her nature was, to recount gruesome stories of brutality to her companions. “He rapped my ringers with his pencil. I won’t stand it. I’m sixteen. I’ll write home and complain.” Sandwiched in among the poor pupils were one or two who possessed real musical ability—Nancy, for instance, whose supple fingers seemed to draw mysterious sweetness and depths from the keys of the well-worn piano—and in these cases the lesson would extend far beyond its legitimate length and would take upon itself something of the nature of a recital, as Mr Broun himself took possession of the piano stool, to illustrate the effect which he wished produced. Then the girls in adjoining rooms would find their attention wandering from their books, and little groups “changing form” would linger outside the door listening with bated breath. Ah! if one could only play like that!