“Is Miss Saxon at home? I should like to see her before I go.”
Maud nodded solemnly.
“She’s coming! She’s changing her dress. She had on a flannel blouse, and rushed upstairs to put on her best frock when she heard you were here.”
“You little wretch!” cried Guy Seton, mentally. The colour mounted to his face in mingled anger against the offender, and sympathy for the absent sister whose efforts on his behalf had been so ruthlessly betrayed, but before he had time to reply in words a sudden sound from behind attracted his attention, and he turned, to behold the blue-robed figure of Rowena standing in the doorway, her face white and set, her wide reproachful eyes fixed on her sister’s face!
Chapter Sixteen.
It was an awkward moment for all three occupants of the room. The young man stood, flushed and silent, looking from one sister to the other, conscious of an increasing anger towards Maud, and a kindly and chivalrous sympathy for the confusion of her sister. Poor girl! She was too young, had too little experience of the world to carry off the situation with a laugh. A young woman of society would have seized the opportunity for cementing a friendship, would have swept gaily forward holding out her skirts, and laughingly demanding his approval, but Rowena could do none of these things, her utmost efforts could succeed only in hiding the signs of confusion beneath a frosty coldness of demeanour.
How unnatural was this manner was plainly demonstrated by the behaviour of the offender herself. At the first moment of Rowena’s appearance Maud had appeared embarrassed indeed, but with a fearful joy mingling with her shame, the joy of one who has greatly dared, and is prepared to endure the consequences; but when Rowena swept forward, calm and stately, when she seated herself and began to talk polite nothings, with never so much as a word or a glance in her own direction, then, visibly and unmistakably, terror fell upon Maud’s childish heart—she made a bee-line for the door, and slunk hastily out of sight.
“Little wretch!” soliloquised Guy Seton once more. “Lands me into this pleasant position, and then sneaks away, and leaves me to fight it out alone! Poor little girl!”—this last epithet obviously did not refer to Maud! “Hard lines to arrive at such an awkward moment. Furious, of course, with the whole three—the child for speaking, with me for hearing, with herself for having given the opportunity! Such a pretty frock, too; and she is ripping in it! Jolly good of her to have taken the trouble, but now I suppose she’ll hate the sight of me, and bear me a lasting grudge. Hope to goodness Golden-locks is not long in coming back!”