Stephen Charrington had expressed a wish to consult with his aunt and uncle less from any preconceived intention than from a feeling of helplessness which took possession of him as he penned the news of his father’s death. It had seemed to him at the moment that the advice of any one older and wiser than himself would be of value in deciding plans for the future, but no sooner was the letter irretrievably on its way than he began to tremble at the prospect of telling Philippa of what he had done. Philippa had been left co-trustee with himself, and she was not a young woman who would meekly be put on one side. What she thought, she said; what she willed, she accomplished; and anything like interference was to her as the brandishing of a red rag in the face of a bull. Stephen resolved to wait for a favourable opportunity before breaking the news of the intended visit, and to introduce it casually in the midst of a general conversation, when there would be less chance of a “scene.” On Tuesday he decided to speak on Wednesday; on Wednesday there seemed abundant reason why he should postpone the disclosure until Thursday; on Thursday his uncle’s note arrived announcing his arrival on the following day, and there could be no longer delay. Stephen betook himself to the morning-room, where his sisters sat in conclave, and hid himself behind a newspaper, awaiting his opportunity.
Despite the gloominess of the autumn day and the mournful nature of the work on hand, the scene was far from being doleful. To begin with, the background was pretty—a long, low apartment, half studio, half workroom, its walls washed a rich crimson hue, and covered with unmounted sketches, plaster casts on brackets, and a hundred quaint, artistic odds and ends. Against this background the four sisters made an interesting group as they busied themselves with the sewing on hand. There was no money forthcoming to pay dressmaking bills, and little enough to buy material, so it was necessary to use up what was in the house—to turn and twist and remake, and cover over, and patch together—an occupation which involved no little ingenuity in addition to the mere manual labour.
Philippa stood by the table, the big cutting-out scissors in her hands; a handsome girl with clearly cut aquiline features, and dark hair which rippled back in a soft, smoke-like mass, and was coiled gracefully together on the nape of her neck. Her shoulders were broad and square, and had a trick of broadening still further in dignified, self-assertive fashion when their owner was annoyed or wished to exercise her authority. Madge always declared that she looked at Philippa’s shoulders when she wished to see how the wind blew; but then Madge was so daring and inconsequent in her remarks that no one paid much attention to what she said! Behold her now, running seams on the old-fashioned treadle machine, with bent back and long, pointed chin poked forward over the needle. As often as not a jerk of the hands or an erratic movement of the feet would be followed by a jar, a knot, a breaking of the thread; and when this occurred Madge would clench both fists together and mouth dumb anathemas, the while she rolled tragic eyes to the ceiling. If there was one thing on earth which she detested more than another, it was plain sewing; but this morning she had gallantly volunteered to do the machining, and machine she would, no matter what tortures it might cost her! She was a little scrap of a thin, starved-looking creature, with a long, narrow face, plain features, and just the prettiest, happiest, most lovable pair of hazel eyes you can possibly imagine. Even to-day they looked happy, for there was a certain transparency and twinkling light in the iris which seemed independent of varying moods. Madge was eighteen, and was going to be an artist and have pictures hung on the line in the Academy or know the reason why, and in her opinion her time would have been much more profitably employed daubing in the attic than doing dull, useful work downstairs; but, as has been said, there are occasions when personal inclinations have to be laid in the dust.
Theo sat by herself, unpicking a coloured lining from a black grenadine dress, with an expression of tragic despair. It was not that she sorrowed for her father more deeply than her sisters, but it was Theo’s nature to revel in emotion and deliberately to work herself up to the height of rejoicing or down to the depths of despair. She was a tall, graceful girl, with a face which was decidedly interesting if not regularly pretty, and her broad forehead and deep-set eyes seemed to portray a greater brain-power than that possessed by the rest of the family. Theo had written stories for her own amusement since the age of ten, and was even now engaged upon a full-fledged novel with which she hoped to burst upon an astonished world. It seemed a horrible, ghoul-like proceeding to examine her own feelings in order to be able to depict what Veronica, her heroine, should feel in the hour of her desolation; and she was disgusted with herself because, despite all resolutions, she had been mentally taking notes during the whole of the past week. Now, as she sat unpicking the pretty pink lining and casting it ruthlessly on one side, her busy brain was weaving a simile by which it appeared that all the brightness of life was left behind and nothing remained but blackness and desolation.
By Philippa’s side—adviser, assistant, and architect-in-chief—stood golden-haired Hope, sweet as her name, and all unselfish anxiety for the good of others. Her white forehead was wrinkled with the strain of trying to induce two yards of silk to do duty for three, and she stood at attention, staring down at the pattern spread over the black folds, and rubbing her chin in solemn calculation as she discussed the knotty point.
“If I were to make the yoke of something else, and let the silk come from the arm-holes only, do you think we could manage it then? There is some of that old black velvet that could be used for the yoke, and it could be made to look very nice. I am afraid we couldn’t match this silk even if we tried.”
“Don’t want to try,” said Philippa shortly. “Spent quite enough as it is. Well, we shall either have to do it that way or make the sleeves of another material to match the skirt.—Theo, it’s for you. Which would you rather have?”
“Don’t care at all. Make it as you please; I take no interest in the matter,” replied Theo, turning her head elaborately in an opposite direction and speaking in a tone of implied rebuke, which brought a flash into Philippa’s eyes.
“Then you ought to take an interest! How are we to get on if no one will say what she wants? We want to do our best for you, and it’s not much trouble just to say what you like, and help us to decide.”
Theo looked round at that, and lo! her eyes were full of tears.