Mrs Chester began to cry at once in sympathy, and even Rhoda felt a smarting of the eyes. It was coming! The crucial moment was at hand; the bell was ringing, the girls were crowding into the carriages, the governess stepped forward and spoke a warning word.
“You had better come now, dear! Please take your seat.”
Rhoda turned and bent her tall young head to her little mother, but neither spoke—the tension was too great. Mrs Chester’s face was tremulous with agitation, the girl’s white and defiant. Then she stepped into the carriage and seated herself among the crowd of strangers. The girls were all silent now, pale of face and red of eye, a few crying openly, the majority fighting against emotion. The mothers came to the edge of the platform, and stared in through the windows.
“It is like looking at animals in a cage,” said Rhoda to herself, and then the wheels began to move, she saw her mother’s quivering face—saw it from a distance—saw it no more—and realised for the first time, with a great, bitter pang of anguish, the meaning of farewell!
She had not intended to cry, she had never believed it possible that she would cry, but it was hard work to resist it during the next half-hour, when every second bore her further from home, and the strangeness of her surroundings pressed more heavily upon her. Other girls were beginning to cheer up and exchange confidences with their companions, but she had no one with whom to talk. Two girls opposite—the foxey one and the affected one—were chatting quite merrily together. The affected one, whose name appeared to be Hilda, had spent part of her holiday at Boulogne, and was discoursing on the delights of Continental bathing, while Foxey, not to be outdone, would have her know that Scarborough kept pace with all the Continental methods.
Another girl made the harrowing discovery that she had left her spectacles at home, and announced the same to a chum, who remarked that it was “a ripping joke!” The violin girl had had a bicycling accident, and exhibited her scars with pride. The shock of parting over, they all seemed very happy together, very friendly, very absorbed; far too much absorbed to notice a new-comer, or trouble themselves on her behalf. The governess stood by Rhoda’s side for a few minutes and made remarks in an aggressively cheerful manner, but her reception was not encouraging, and presently she went away, and did not return.
Rhoda looked at the pictures in her magazines, or pretended to look, for her brain was so much occupied with other matters that she could not grasp their meaning, and after five minutes’ inspection would hardly have been able to say whether she had been studying the features of a country landscape or those of a society beauty. Then she turned and cautiously examined her neighbours. The girl to the right was a square, stolid-looking creature, square-faced, square-shouldered, with square toes to her boots, and elbows thrust out on each side in square, aggressive fashion. Her eyes were small and light, and her nose a defiance of classic traditions; the corners of her mouth turned down, and she had at once the solemnest and the most mischievous expression it is possible to imagine. After a critical survey of her charms, Rhoda felt that she was not the person with whom to force a conversation, and turned her attention to the neighbour on her left.
A recruit, surely; for, though her hat-band was in order, there was in her mien an absence of that brisk, independent air which seemed to characterise the old Hurst girl. A pretty damsel, too, with curling hair and soft dark eyes, which at the present moment were bent in elaborate scrutiny on the paper before her. Rhoda noticed that it was the advertisement page at which she was looking, and suspected a pre-occupation kindred to her own. She coughed slightly and ventured a gentle question—
“Is this your first term at school?”
The dark-eyed girl turned a fleeting glance upon her, so fleeting that it seemed as if she had never altered her position, and replied monosyllabically: