As the girl was about to leave the room to go about her duties, she remarked that dinner would be served at six o'clock, and that Mona was to come down to the basement to eat with the other servants.
Mona flushed hotly at this information. Must she, who all her life had been the petted child of fortune, go among menials to eat with she knew not whom?
But she soon conquered her momentary indignation, for she realized that she was nothing more than a servant herself now, and could not expect to be treated as an equal by her fashionable employer.
"Will you tell me your name, please?" she asked of the girl, and trying not to betray any of her sensitiveness.
"Mary, miss," was the respectful reply, for the girl recognized that the new seamstress was a lady, in spite of the fact that she was obliged to work for her living.
"Thank you; and—will you please tell me the name of your mistress, also; the card which she left at the office was lost, and I have not learned it," Mona said as she arose to hang her wraps in the closet.
"Lor', miss! that is queer," said the girl in a tone of surprise, "that you should engage yourself and not know who to."
"It didn't really make much difference what the name was—it was the situation that I wanted," Mona remarked, smiling.
"True enough, but my lady's name's a high-sounding one, and she's not at all backward about airing it; it rolls off her sweet tongue as easy as water off a duck's back—Mrs. Richmond Montague," and the girl tossed her head and drew herself up in imitation of her mistress's haughty air in a way that would have done credit to a professional actress, "But there," she cried, with a start, as a shrill voice sounded from below, "cook is calling me, and I must run."
She tripped away, humming a gay tune, while Mona sank, white and trembling, upon the nearest chair.