Mr. Armstrong laughs outright at this impulsive appeal, at the eager, childish face and outstretched hands. He motions to the butler to bring the table to Miss Lefroy's couch. Blushing somewhat at the effect of her outburst, and heedless of medical advice, she struggles into an upright position and softly caresses the delicate surface of the sugar-basin.
"There was a chip on the lip of the cream-jug. Yes, it's there still. Hal did it when he was a baby. I see you've had a handle put on to this cup. How neatly it is done!" sighs Addie, discontentedly acknowledging to herself that even during his short tenancy the bachelor-master of Nutsgrove has made some marked efforts to remove the stains, rents, seams of their untidy reckless childhood, to purify his orderly household from all trace of their damaging footprints, as Bob said he would. What wonderful penetration, what knowledge of the world the dear boy had! Yes, all would come to pass as he had prophesied; a few years more and she would not know the old home again. This was her last glimpse, her farewell view; that handle to the cup was the beginning of the end, the key-note to the reign of paint, of varnish, of vandalic renovation and commercial "improvements" that were to wreck the home she loved.
But Addie does not linger long over these somber forebodings, for the urn is hissing at her elbow, and duty and instinct claim her undivided attention for the moment. In virtue of her twelve years' office she has arrived at a pitch of perfection in the art of tea-making which commands the family respect. Before the tea-pot she reigns supreme; no one ever questions her authority or presumes to criticise the quality of her brew, and her sarcastic information in reply to a request for a fourth cup—"Certainly; as long as there's water there's tea"—is always received in meek silence, from fear lest she, being a hot-tempered and ofttimes hopelessly huffy young person, might throw up office and leave the family at the mercy of either Pauline or Aunt Jo, both of whom have been tried and found dismally wanting during her temporary illnesses. She knows to a grain the quantity of sugar each member requires, to a drop the cream; she knows who likes "mustard," whose nerves and tender years exact "wash," who requires a sensible and palatable "go between."
Therefore, Addie unable to throw aside the patronizing attitude of years, more or less overcome by the beloved familiarity of her surroundings, rattles the enemy's rich-toned crockery with the same freedom and brisk importance as if she were handling Ellen Higgins's coarse "chaney" in the farm parlor.
"Do you take cream and sugar, Mr. Armstrong?"
"Cream and sugar," he repeats stupidly, as if half asleep—"cream and sugar? How? Where?"
"Where?" Addie answers, a touch of elder-sisterly impatience in her voice. "Where? In your tea, of course!"
"I beg your pardon, I'm sure. How dull I am! Yes, both, please."
This is the first time in his thirty-eight years of life that a lady has presided at Tom Armstrong's tea-board, and the strangeness of the circumstance has for the moment paralyzed his attention. He has had a motherless, sisterless, almost homeless childhood; no woman's gentle influence and refining contact have smoothed the rugged upward path that he has been climbing for more than a quarter of a century. In his springtide, when men's fancies are apt to "lightly turn to thoughts of love," he was too absorbed in prosaic business and ambitious dreams of wealth and power to have time for sweethearting like most young fellows of his age and position. He has never strolled down country lanes on soft Sabbath morns, his arm encircling the plump waist of some apple-cheeked Mary Jane or Susan Ann; he has never picnicked with her under scented hawthorn-hedges, or drunk tea with her, seasoned with shrimps and radishes, at rustic inns or in beer-tainted summer-houses. So to him the unusual position is unmarred by even shadow-clouds of dead joys and by-gone pleasures. Addie's fresh flower face awakes no ghost of fevered memory to taunt him with the sweets of lost youth.
"Here is your tea, Mr. Armstrong; you must tell me if it is right. I don't know your tastes yet."