A year before the period at which our story opens, and soon after performing, to his no great satisfaction, the marriage ceremony for his lovely young friend Selina Seaham, the worthy man had left Ll——; yielding at length to the persuasions of his friends that he would, according to the advice of the medical men, try the effect of a year or two's sojourn on the continent in alleviating his troublesome and obstinate, if not mortal, complaint.
An efficient substitute had been found to fill his place. Eustace Trevor also remained, as we have seen, continuing to render those services which, year by year, had only been the more valuable and distinguished—services never to be erased from the memories of that little flock, with whom, during his ministry amongst them, he had rendered himself equally honoured and beloved. But the following year, as we have seen, brought events of no small importance to the fates and fortunes of the principal personages of our history.
The determination of the Majoribanks to leave Glan Pennant, the marriage of Agnes Seaham, the peculiar nature of Mary's circumstances; and how, consequent on those events, finally influenced by the last consideration, Eustace Trevor in that momentous interview on the heathy hill's side—casting his future hopes of happiness on one die—gave way to the long-checked, long-concealed impulses of his heart, and poured forth his tale of love upon her startled ear. Need we recapitulate the sequel, "How pale the startled lady stood" on the borders of that green and silent hill.
It was too late to open before her eyes the treasure which had so long been within her reach. He had failed to touch that chord, by which alone the heart of woman can be moved—Mary's heart so pure, so good, was yet a woman's. What, that for months and years devotedly he had lingered by her side, loving her in secret with a love so fervent and so deep, she had remained insensible to that hidden spell; whilst one glance from the stranger's dark eyes—one low thrilling tone of his flattering voice had sufficed to pluck away her heart. But so it was, and so it oft-times is; and there is little need to tell again how Eustace Trevor, his last reed broken, his last ray of light extinguished, turned away to seek his sad and silent home—
"The shadow of a starless night,"
thrown upon that world, in which henceforth he must move so desolate and alone.
CHAPTER XXIV.
Thou too art gone—and so is my delight,
And therefore do I weep, and inly bleed,
With this last bruise upon a broken reed.
Thou too art ended—what is left me now?
For I have anguish yet to bear—and how?
BYRON.