It was a time of utter misery to her. If she sat indoors there was the persecution of Mrs. Daintree's ill-natured remarks, and Marion's depression of spirits and half-uttered regrets; and there was also the scaffolding rising round the chancel walls to be seen from the windows, and the sound of the sawing of the masonry in the churchyard, as a perpetual, reproachful reminder of the friend whose kindness and affection she had so ill requited. If she went out, she could not go up the lane without passing the gates of Kynaston, or towards the village without catching sight of the venerable old house among its terraced gardens, which, so lately, she had thought would be her home. Sometimes she met her old friend, Mrs. Eccles, in her wanderings, but she did not venture to speak to her; the cold disapproval in the housekeeper's passing salutation made her shrink, like a guilty creature, in her presence; and she would hurry by with scarcely an answering sign, with downcast eyes and heightened colour.
Somehow, it came to pass in these days that Vera drifted into a degree of intimacy with Beatrice Miller that would, possibly, never have come about had the circumstances of her life been different. Ever since her accidental meeting with the lovers outside Tripton station Vera had, perforce, become a confidant of their hopes and fears; and Beatrice was glad enough to have found a friend to whom she could talk about her lover, for where is the woman who can completely hold her tongue concerning her own secrets?
Against all the long category of female virtues, as advantageously displayed in contradistinction to masculine vices, there is still this one peculiarity which, of itself, marks out the woman as the inferior animal.
A man, to be worthy of the name, holds his tongue and keeps the secret of his heart to himself, enjoying it and delighting in it the more, possibly, for his reticence. A woman may occasionally—very occasionally—be silent respecting her neighbour, but concerning herself she is bound to have at least one confidant to whom she will rashly tell the long story of her loves and her sorrows; and not a consideration either of prudence or of worldly wisdom will suffice to restrain her too ready tongue.
Beatrice Miller was a clever girl, with a fair knowledge of the world; yet she was in no way dismayed that Vera should have discovered her secret; on the contrary, she was overjoyed that she had now found some one to talk to about it.
Vera became her friend, but Beatrice was not Vera's friend—the confidences were not mutual. Over and over again Beatrice was on the point of questioning her concerning the story that had been on every one's lips for a time; of asking her what, indeed, was the truth about her broken engagement; but always the proud, still face restrained her curiosity, and the words died away unspoken upon her lips.
Vera's story, indeed, was not one that could be easily revealed. There was too much of bitter regret, too great an element of burning shame at her heart, for its secrets to be laid bare to a stranger's eye.
Nevertheless, Beatrice's society amused and distracted her mind, and kept her from brooding over her own troubles. She was glad enough to go over to Shadonake; even to sit alone with Beatrice and her mother was better than the eternal monotony of the vicarage, where she felt like a prisoner waiting for his sentence.
Yes, she was waiting. Waiting for some sign from the man she loved. Sooner or later, whether it was for good or for evil, she knew it must come to her; some token that he remembered her existence; some indication as to what he would have her do with the life that she had laid at his feet. For, after all, when a woman loves a man, she virtually makes him the ruler of her destiny; she leaves the responsibility of her fate in his hands. For the nonce, Maurice Kynaston held the skein of Vera's life in his grasp; it was for him to do what he pleased with it. Some day, doubtless, he would tell her what she had to do: meanwhile, she waited.
What else, indeed, can a woman do but wait? To sit still with folded hands and bated breath, to possess her soul in patience as best she may, to still the wild beatings of her all too eager spirit—that is what a woman has to do, and does often enough. God help her, all too badly.