They stood together close to the altar rails. The bride was in a pale lavender satin, covered with lace, which spread far away behind her across the tesselated pavement. The bridegroom stood by her side, erect and handsome, but pale and stern, and with a far-away look in his eyes that would have made any one fancy, had any one been near enough or attentive enough to remark it, that he was only an indifferent spectator of the scene, in no way interested in what was going on. He looked as if he were thinking of something else.
He was thinking of something else. He was thinking of a railway carriage, of a train rushing onwards through a fog-blotted landscape, and of two arms, warm and soft, cast up round his neck, and a trembling, passionate voice, ever crying in his ears—
"While you live I will never marry another man."
That was what the bridegroom was thinking about.
As to the bride, she was debating to herself whether she should have the body of her wedding-dress cut V or square when she left it with her dressmaker to be altered into a dinner-dress.
Meanwhile the clergyman, who mumbled his words slightly, and whose glasses kept on tumbling off his nose, waded through the several duties of husbands towards their wives, and of wives towards their husbands, as expounded by Scripture, in a monotonous undertone, until, to the great relief of the weary guests, the ceremony at last came to an end.
Then the best man, Sir John, who stood behind his brother, looking, if possible, more like a mute at a funeral even than the bridegroom himself, stepped forward out of the shadow. The new-married couple went into the vestry, followed by Sir John, his mother, and a select few, upon which the door was closed. All the rest of the company then began to chatter in audible whispers together; they fidgeted backwards and forwards, from one pew to the other. There were jokes, and smiles, and nods, and hand-shakings between the different members of the wedding party. All in a low and decorous undertone, of course, but still there was a distinct impression upon every one that all the religious part of the business being well got over, they were free to be jolly about it now, and to enjoy themselves as much as circumstances would admit of.
All at once there was a sudden hush, everybody scuffled back into their places. The best man put his nose out of the vestry door, and the "Wedding March" struck up. Then came a procession of chorister boys down the church, each bearing a small bouquet of fern and white flowers. They ranged themselves on either side of the porch, and the bride and bridegroom came down the aisle alone.
Then it was that Monsieur D'Arblet, leaning forward with the rest to see them pass, caught sight of the face of the girl who stood by his side.
She was pale as death; a look as of the horror of despair was in her eyes, her teeth were set, her hands were clenched together as one who has to impose a terrible and dreadful task upon herself. Nobody in all that gaily-dressed chattering crowd noticed her, for were not all eyes fixed upon the bride, the queen of the day? Nobody save the man who stood by her side. Only he saw that fixed white look of despair, only he heard the long shuddering sigh that burst from her pale lips as the bridegroom went by. Monsieur D'Arblet said, to himself: