She bent down and kissed her daughter as she spoke. But still these last few sentences had furnished a little fresh bitterness for Lucia's thoughts. Her mother's exile might have ended but for her.

Bourg-Cailloux was next day fully decided on for their new residence. From the time of the decision Lucia began to be very busy in preparation for their journey, and for leaving the place where she had been too happy, and too miserable, not to have become attached to it. Claudine, too, had to be left behind with some regret, but they hoped to see Paris again the following year if all should be well. Early one morning they started off once again, a somewhat forlorn pair of travellers, and at three o'clock on a bright afternoon rattled over the rough pavements, on their way to the Hôtel des Bains at Bourg-Cailloux.


CHAPTER XIX.

Summer came very early that year, and the narrow streets of Bourg-Cailloux were full of the glare and heat of the season. The pavements of white stones, always rough and painful to the feet, were burning hot in the middle of the day, and outside the walls, especially towards the sea, the light coloured, sandy roads were more scorching still. The Hôtel des Bains, just waking up after its winter repose, had proved but a comfortless dwelling. After two or three days, therefore, Mrs. Costello had left it, and she and Lucia were now settled in a lodging in the city itself. Their windows looked out on the "Place," where a brave sea-captain, the hero of Bourg-Cailloux, stood in effigy, and still seemed to keep watch over the place he had once defended, and where, twice a week, the market-women came in their long black cloaks and dazzling caps, and brought heaps of fragrant flowers and early fruit. In the very early morning, the shadow of a quaint old tower fell transversely upon the pavement of the square, and reached almost to their door; and in the evening Lucia grew fond of watching for the fire which was nightly lighted on the same tower that it might be a guide to sailors far out at sea. The town was quiet and dull—there was no theatre, no concerts, at present even no balls—the only public amusement of the population seemed to be listening in the still evenings to the band which played in front of the guard-house in the Place. There they came in throngs, and promenaded slowly over the sharp-edged stones, with a keen and visible enjoyment of the fresh air, the music, and each other's company, which was in itself a pleasant thing to see.

The journey, the discomforts of the first few days, and the second moving, had tried Mrs. Costello extremely. She spent most of her time on the sofa now, and had as yet only been able once or twice to go down and sit for a while on the sunny beach, where children were playing and building sand castles, and where the sea breeze was sweet and reviving.

There was a small colony of English people settled in the town, mostly people with small incomes and many children, or widows of poor gentlemen; but there was also a large floating population of English sailors, and for their benefit an English consul and chaplain, who supplied a temporal and spiritual leader to the community. But the mother and daughter kept much apart from their country people, who were inclined to be sociable and friendly towards them. Mrs. Costello's illness, and Lucia's preoccupation, made them receive with indifference the visits of those who, after seeing them at the little English church, and by the sea, thought it "only neighbourly to call."

Their home arrangements were different to those they had made in Paris. Here they were really lodgers, and their landlady, Madame Everaert, waited on them. She was a fat, good natured, half Dutch widow, who took from the first a lively interest in the invalid mother, and in the daughter who would have been so handsome if she had been stouter and more rosy; and in a very little while she found that her new lodgers had one quality, which above all others gave them a claim on her good will, they were excellent listeners. Almost every evening in the twilight she would come herself to their sitting-room, with the lamp, or with some other errand for an excuse, and would stay chattering in her droll Flemish French for at least half an hour. This came to be one of the features of the day. Another was a daily walk, which Lucia had most frequently to take alone, but which always gave her either from the shore, or from the ramparts, a long sorrowful look over the sea towards England—towards Canada perhaps—or instead of either, to some far-away fairy country where there were no mistakes and no misunderstandings.

Between these two—between morning and evening—time was almost a blank. Lucia had completely given up her habits of study. She did not even read novels, except aloud; and when she was not in some way occupied in caring for her mother, she sat hour after hour by the window, with a piece of crochet, which seemed a second Penelope's web, for it never was visibly larger one day than it had been the day before. Mrs. Costello gradually grew anxious as she perceived how dull and inanimate her daughter remained. She would almost have been glad of an excuse for giving her a gentle scolding, but Lucia's entire submission and sweetness of temper made it impossible. There seemed nothing to be done, but to try to force her into cheerful occupation, and to hope that time and her own good sense would do the rest. Hitherto they had had no piano; they got one, and for a day or two Lucia made a languid pretence of practising. But one day she was turning over her music, among which were a number of quaint old English songs and madrigals, which she and Maurice had jointly owned long ago at Cacouna, when she came upon one the words of which she had been used to laugh at, much to the annoyance of her fellow-singers. She had a half remembrance of them, and turned the pages to look if they were really so absurd. The music she knew well, and how the voices blended in the quaint pathetic harmony.

"Out alas! my faith is ever true,
Yet will she never rue,
Nor grant me any grace.
I sit and sigh, I weep, I faint, I die,
While she alone refuseth sympathy."