Pour the sweet waters back on their own rill—
I must remember still.
For their sake, for the dead—whose image naught
May dim within the temple of my breast—
For their love’s sake, which now no earthly thought
May shake or trouble with its own unrest,
Though the past haunt me as a spirit—yet
I ask not to forget.
[376] Quoted from a letter of Lord Byron’s. He describes the impression produced upon him by some tombs at Bologna, bearing this simple inscription, and adds, “When I die, I could wish that some friend would see these words, and no other, placed above my grave,—‘Implora pace!’”
[“The ‘Songs of the Affections’ were published in the summer of 1830. This collection of lyrics has been, perhaps, less popular than other of Mrs Hemans’s later works. It was hardly, indeed, to be expected that the principal poem, ‘A Spirit’s Return,’ the origin and subject of which we have already described, should appeal to the feelings of so large a circle as had borne witness to the truth of the tales of actual life and sacrifice and suffering contained in the ‘Records of Woman.’ But there are parts of the poem solemnly and impressively powerful. The passages in which the speaker describes her youth—the disposition born with her to take pleasure in spiritual contemplations, and to listen to that voice in nature which speaks of another state of being beyond this visible world—prepare us most naturally for the agony of her desire—when he, in whom she had devotedly embarked all her earthly hopes and affections—