"Slowly, like the hopes of our hearts."
Amy looked up surprised.
"It is best to have no hopes," she said.
"That would be contrary to human nature. We all hope, even the most satisfied mortal, and sometimes our hopes last a life time, and only fade with our lives."
"It is true; but perhaps our hopes, if realised, would only render us miserable. It is best after all to go hoping on."
"It is best," he replied, quietly.
Amy thought what a strange mood Mr. Linchmore was in. Why did he speak and talk so gloomily? Had Mr. Vavasour vexed him again by devoting himself too much to his wife? or she been flirting more than usual?
This inner room they now sat in was not so large as the drawing-room, part of it being taken off for the conservatory, which ran its entire length, and then adjoined the drawing-room at the point where the arch which separated the two rooms terminated. In the day time the smaller room was the prettiest and most cheerful, as the windows at the end commanded a fine view of the magnificent woods and country beyond, with the lawn sloping down in front almost to the banks of the lake, whereas the view from the drawing-room on that side was entirely concealed by the conservatory.
As Mr. Linchmore silently revolved in his mind how he should begin about Mr. Vavasour; how broach the subject so as to find out how far her heart had been won—or as he thought, lost—thrown away on so unworthy an object; given to one who neither cared for or valued the rich treasure he had won, and Amy sat in silent wonderment as to what he would say next; the rustle of a silk dress was heard, and in another moment two forms were indistinctly seen through the flowering shrubs and exotics of the conservatory.
Amy's breath was hushed, her very pulse was stilled, as she distinguished Robert Vavasour and Mrs. Linchmore.