“I suppose she was.”

“Good. What else have you to say, wise Johnny?”

“Nothing.”

Nothing; for where was the use? Sophie Chalk would have been only an angel in his eyes, though he heard that she had sold apples at a street-corner. Sophie, that very morning, had begged Lady Whitney to let her instruct the younger children, “as a friend,” so long as they were in town; for the governess at Whitney was a daily one, and they had not brought her. Lady Whitney at first demurred, and then kissed Sophie for her goodness. The result was, that a bed was found for Miss Chalk, and she stayed with them altogether.

But I can’t say much for the teaching. It was not Sophie Chalk’s fault, perhaps. Helen would be in the schoolroom, and Harry would be there; and I and Anna sometimes; and Tod and Bill always. Lady Whitney looked upon this London sojourn as a holiday, and did not mind whether the children learnt or played, provided they were kept passably quiet. I told Sophie of my visit to take the fichu, and she made a wry face over the lame girl.

“That Mabel Smith! Poor morbid little object! What she would have grown into but for the fortunate chance of my sister’s marrying into the house, I can’t imagine, Johnny. I’ll draw you her portrait in her night-cap, by-and-by.”

The days went on. We did have fun: but war was growing up between William Whitney and Tod. There could no longer be a mistake (to those who understood things and kept their eyes open) of the part Sophie Chalk was playing: and that was trying to throw Tod over for William Whitney, and to make no fuss about it, I don’t believe she cared a brass button for either: but Bill’s future position in life would be better than Tod’s, seeing that his father was a baronet. Bill was going in for her favour; perhaps not seriously: it might have been for the fun of the moment, or to amuse himself by spiting Tod. Sir John and my lady never so much as dreamt of the by-playing going on before their faces, and I don’t think Helen did.

“I told you she’d fascinate the eyes out of your head, Bill, give her the chance,” said I to him one day in the schoolroom, when Miss Chalk was teaching her pupils to dance.

“You shut up, Johnny,” he said, laughing, and shied the atlas at me.

Before the day was out, there was a sharp, short quarrel. They were all coming for the evening to Miss Deveen’s. I went in at dusk to tell them not to make it nine at night. Turning into the drawing-room, I interrupted a scene—Bill Whitney and Tod railing at one another. What the bone of contention was I never knew, for they seemed to have reached the end of it.