“My good young woman, I think you are in truth better without him. Such a man as that is not worthy of a regret.”
“No, sir, and I don’t and won’t regret him,” was her rapid answer, the voice rising hysterically.
As she turned, intending to leave the church, she came face to face with Sandy Lett. I had seen him standing there, drinking in the words of the note with all his ears and taking covert looks at Grizzel.
“Don’t pass me by, Grizzel,” said he. “I feel hearty sorry for all this, and I hope that villain’ll come to be drowned on his way to Ameriky. Let me be your friend. I’ll make you a good one.”
“Thank you,” she answered. “Please let me go by.”
“Look here, Grizzel,” he rejoined with a start, as if some thought had at that moment occurred to him. “Why shouldn’t you and me make it up together? Now. If the one bridegroom’s been a wicked runagate, and left you all forsaken, you see another here ready to put on his shoes. Do, Grizzel, do!”
“Do what?” she asked, not taking his meaning.
“Let’s be married, Grizzel. You and me. There’s the parson and Mr. Bumford all ready, and we can get it over afore church begins. It’s a good home I’ve got to take you to. Don’t say nay, my girl.”
Now what should Grizzel do? Like the lone lorn widow in “David Copperfield,” who, when a ship’s carpenter offered her marriage, “instead of saying, ‘Thank you, sir, I’d rather not,’ up with a bucket of water and dashed it over him,” Grizzel “up” with her hand and dealt Mr. Sandy a sounding smack on his left cheek. Smarting under the infliction, Sandy Lett gave vent to a word or two of passion, out of place in a church, and the parson administered a reprimand.
Grizzel had not waited. Before the sound of her hand had died away, she was outside the door, quickly traversing the lonely churchyard. A fine end to poor Grizzel’s wedding!