ONE HUNDRED AND FIFTIETH THOUSAND.
“The boldness, originality, and social scrutiny displayed in this work remind the reader of Adam Bede. It would be difficult to place beside the death of Edgar Halliburton anything in fiction comparable with its profound pathos and simplicity. It is long since the novel-reading world has had reason so thoroughly to congratulate itself upon the appearance of a new work as in the instance of ‘Mrs. Halliburton’s Troubles.’ It is a fine work; a great and artistic picture.”—The Morning Post.
4.
THE SHADOW OF ASHLYDYAT.
ONE HUNDRED AND TENTH THOUSAND.
“‘The Shadow of Ashlydyat’ is very clever, and keeps up the constant interest of the reader. It has a slight supernatural tinge, which gives the romantic touch to the story which Sir Walter Scott so often used with even greater effect; but it is not explained away at the end as Sir Walter Scott’s supernatural touches generally, and inartistically, were.”—The Spectator.
“The genius of Mrs. Henry Wood shines as brightly as ever. There is a scene or two between Maria Godolphin and her little girl just before she dies, which absolutely melt the heart. The death-bed scene likewise is exquisitely pathetic.”—The Court Journal.
5.