Jane was dead. Matilda, not unacquainted with the aspect of death, saw that at once, and her senses pretty nearly deserted her again with remorse and horror. She had never thought or wished to kill Jane Cross, hardly to harm her, she liked her too well: but in those moments of frenzy she had not the slightest control over her actions. Her first act was to run and lock the side door in the garden wall, lest anyone should come in. How she lived through the next half-hour, she never knew. Her superstitious fear of seeing the dead Edmund Peahern in the house was strong—and now there was another! But, with all her anguish and her fear, the instinct of self-preservation was making itself heard. What must she do? How could she throw the suspicion off herself? She could not run out of the house and say, “Jane Cross has fallen accidentally over the stairs; come and look to her”—for no one would have believed it to be an accident. And there were the pieces, too, she had clutched out of the gown! Whilst thus deliberating the gate-bell rang, putting her into a state of the most intense terror. It rang again. Trembling, panting, Matilda stood cowering in the kitchen, but it did not ring a third time. This was, of course, Thomas Owen.
Necessity is the mother of invention. Something she must do, and her brain hastily concocted the plan she should adopt. Putting the cloth and the bread and cheese on the table, she took the jug and went out at the front door to fetch the usual pint of ale. A moment or two she stood at the front door, peering up and down the road to make sure that no one was passing. Then she slipped out, locking the door softly; and, carrying the key concealed in the hollow of her hand, she threw it amidst the shrubs at No 1. Now she could not get into the house herself; she would not have entered it alone for the world: people must break it open. All along the way to the post-office, to which she really did go, and then to the Swan, she was mentally rehearsing her tale. And it succeeded in deceiving us all, as the reader knows. With regard to the visit of her brother on the Wednesday, she had told Thomas Owen the strict truth; though, when he first alluded to it in the churchyard, her feelings were wrought up to such a pitch that she could only cry out and escape. But how poor Matilda contrived to live on and carry out her invented story, how she bore the inward distress and repentance that lay upon her, we shall never know. A distress, remorse, repentance that never quitted her, night or day; and which no doubt contributed to gradually unhinge her mind, and throw it finally off its balance.
Such was the true history of the affair at No. 7, which had been so great a mystery to Saltwater. The truth was never made public, save to the very few who were specially interested in it. Matilda Valentine is in an asylum, and likely to remain there for life; whilst Thomas Owen and his wife flourish in sunshine, happy as a summer day is long.
CARAMEL COTTAGE
I.—EDGAR RESTE
I
It was early in August, and we were at Dyke Manor, for the Squire had let us go home from school for the Worcester races. We had joined him at Worcester the previous day, Tuesday, driving home with him in the evening. To-morrow, Thursday, he would drive us over to the course again; to-day, Wednesday, the horses would have rest; and on Friday we must return to school.
Breakfast was over, the Squire gone out, and the few minutes’ Bible-reading to us—which Mrs. Todhetley never forgot, though Tod did not always stay in for it, but he did this morning—came to an end. Hannah appeared at the door as she closed the Book.