“Yes, he had not left. He knows nothing of Hugh.”
“I had no hope that he did,” moaned poor Mrs. Todhetley. “All he wanted was the money.”
We turned into the dining-room by the glass-doors, and it seemed to strike out a gloomy chill. On the wall near the window, there was a chalk drawing of Hugh in colours, hung up by a bit of common string. It was only a rough sketch that Jane Coney had done half in sport; but it was like him, especially in the blue eyes and the pretty light hair.
“Where’s my father?” asked Tod.
“Gone riding over to the brick-fields again,” she answered: “he cannot get it out of his mind that Hugh must be there. Joseph, as Mr. Arne has nothing to do with the loss, we can still spare your father the knowledge that he has been here. Spare it, I mean, for good.”
“Yes. Thank you.”
Hugh was uncommonly fond of old Massock’s brick-fields; he would go there on any occasion that offered, had once or twice strayed there a truant; sending Hannah, for the time being, into a state of mortal fright. The Squire’s opinion was that Hugh must have decamped there some time in the course of the Friday afternoon, perhaps followed the gig; and was staying there, afraid to come home.
“He might have hung on to the tail of the gig itself, and I and Johnny never have seen him, the ’cute Turk,” argued the Squire.
Which I knew was just as likely as that he had, unseen, hung on to the moon. In the state he had brought his clothes to, he wouldn’t have gone to the brick-fields at all. The Squire did not seem so uneasy as he might have been. Hugh would be sure to turn up, he said, and should get the soundest whipping any young rascal ever had.
But he came riding back from the brick-fields as before—without him. Tod, awfully impatient, met him in the road by the yellow barn. The Squire got off his horse there, for Luke Mackintosh was at hand to take it.