This part of the room seemed to be consecrated to indolent enjoyment; all vestiges of work were towards the other end. An ottoman or two, some easy-chairs, and a sofa were here, on which the tired artist might repose, and admire the scene without--or the many scenes within. How beautiful was the repose of that outside prospect!--It was but a small plot of ground, yet that, of itself, seemed fit for Eden. A green level lawn, from which arose the spray of a fountain, with its jets of crystal and its mossy banks; clustering flowers of the sweetest scent on the lawn's edge; high, artificial hills of rock beyond, over which dripped a cascade, its murmurs soothing the ear; all very lovely. The whole, not an acre in extent, was surrounded by towering trees, through whose dancing leaves the sun could penetrate but in fitful gleams; fragrant linden-trees, which served to shut the spot out from the world.
Mr. St. John threw himself upon an ottoman and looked out. He had a book in his hand, but did not open it. He was too hungry to read, for he had only taken a cup of coffee and a crust of bread that morning at half-past six, and he fell into an idle reverie.
"Shall I be able to keep my resolution and bear on with this monotony?" he said, half aloud, as he watched unconsciously the flickering sunlight upon the lawn. "A few months of this inexpensive life, and I shall see my way out of embarrassment more clearly than I do now, I will not be indebted to Isaac for my deliverance--no, I won't; and if there were only some break in the life here--some relief--if d'Estival himself were only back----"
The door at the opposite end of the room opened, and a portly, pleasant-looking woman, who might be the mistress of the house in her plain morning costume, or its respectable housekeeper, looked in, and told Mr. St. John his breakfast was served.
"Thank you, Madame Baret," he said, not in the least sorry to hear it. And as he followed her from the room, in all the alacrity of hunger, he did not observe that his pocket-handkerchief fell to the ground.
It was about this time that the party from Beaufoy reached the Lodge, Madame de Castella grumbling dreadfully. She had borne the heat pretty patiently through the shaded shrubbery, but in the open ground, and in that brazen cornfield, which had not so much as a hedge, or a green blade of grass on which to rest the dazzled eye, it had been intensely felt. A shocking state her complexion would be in! She could feel incipient blisters on it already.
"Dear mamma, it is not so bad as that," laughed Adeline, "it is only a little red. Let us go in by the gate at once to the painting-room! Madame Baret will keep us talking for an hour, especially when she gets to know who Mary is."
"I am too hot to look at paintings," querulously returned Madame de Castella. "You may go to the painting-room, but I shall seek Madame Baret, and get a draught of milk. I never was so hot in my life."
She went on to the house as she spoke. Adeline and Mary passed through the little gate of the secluded garden, and sat down in the painting-room.
Oh, how delightful it was there! how delightful! They had come in from the broad glare, the sultry midday heat, to that shady place; the eye, fatigued with the dazzling light, had found a rest, the fields looked burnt up and brown, but here the grass was fresh and green; the cool, sparkling waters of the fountain were playing, and those lovely flower-beds emitted the sweetest perfume. It was grateful as is the calm, silvery moonlight after a day of blazing heat. Never had Mary Carr seen a place that so forcibly spoke to her mind of rest and peace.