Eleanor

by Mrs. Humphry Ward

Lucy escaped from the rooms littered with trunks and clothes. She took her hat and a light cape, and stole out into the broad passage, on either side of which opened the long series of small rooms which had once been Carmelite cells. Only the four or five rooms at the western end, the bare 'apartment' which they occupied, were still whole and water-tight. Half-way down the passage, as Lucy had already discovered, you came to rooms where the windows had no glass and the plaster had dropped from the walls, and the ceilings hung down in great gaps and rags of ruin. There was a bay window at the eastern end of the passage, which had been lately glazed for the summer tenants' sake. The rising moon streamed through on the desolation of the damp-stained walls and floors. And a fresh upland wind was beginning to blow and whistle through the empty and windowless cells. Even Lucy shivered a little. It was perhaps not wonderful that the French maid should be in revolt.

Then she went softly down an old stone staircase to the lower floor. Here was the same long passage with rooms on either side, but in even worse condition. At the far end was a glow of light and a hum of voices, coming from the corner of the building occupied by the contadino, and their own kitchen. But between the heavy front door, that Lucy was about to open, and the distant light, was an earthen floor full of holes and gaps, and on either side—caverns of desolation—the old wine and oil stores, the kitchens and wood cellars of the convent, now black dens avoided by the cautious, and dark even at midday because of the rough boarding-up of the windows. There was a stable smell in the passage, and Lucy already knew that one of the further dens held the contadino's donkey and mule.

'Can we stay here?' she said to herself, half laughing, half doubtful.

Then she lifted the heavy iron bar that closed the old double door, and stepped out into the courtyard that surrounded the convent, half of which was below the road as it rapidly descended from the village, and half above it.

She took a few steps to the right.

Exquisite!

There opened out before her a little cloister, with double shafts carrying Romanesque arches; and at the back of the court, the chapel, and a tiny bell-tower. The moon shone down on every line and moulding. Under its light, stucco and brick turned to ivory and silver. There was an absolute silence, an absolute purity of air; and over all the magic of beauty and of night. Lucy thought of the ruined frescoes in the disused chapel, of the faces of saints and angels looking out into the stillness.

Then she mounted some steps to the road, and turned downwards towards the forest that crept up round them on all sides.

Ah! was there yet another portion of the convent?—a wing running at right angles to the main building in which they were established, and containing some habitable rooms? In the furthest window of all was a light, and a figure moving across it. A tall black figure—surely a priest? Yes!—as the form came nearer to the window, seen from the back, Lucy perceived distinctly the tonsured head and the soutane.

How strange! She had heard nothing from the massaja of any other tenant. And this tall gaunt figure had nothing in common with the little smiling parroco she had seen in the crowd.