'On he moves. His wheaten cake is done. He takes his pipe from his girdle, touches it, and sings.
'His bare feet as he moves tread down the wet flowers. Round him throng the goats; suddenly he throws down his pipe; he runs to a goat heavy with milk; he presses the teats with his quick hands; the milk flows foaming into the wooden cup he has placed below; he drinks, his brown curls sweeping the cup; then he picks up his pipe and walks on proudly before his goats, his lithe body swaying from side to side as he moves, dancing to the music that he makes. The notes float up into the morning air; the echo of them runs round the shadowy hollow of the lake.
'Down trips the boy, parting the dewy branches with his brown shoulders. Around him the mountain side is golden with the broom; at his feet the white cistus covers the rock. The shrubs of the scattered wood send out their scents; and the goats browse upon their shoots.
'But the path sinks gently downward—winding along the basin of the lake.
And now the boy emerges from the wood; he stands upon a knoll to rest.
'Ah! sudden and fierce comes the sun!—and there below him in the rich hollow it strikes the temple—Diana's temple and her grove. Out flame the white columns, the bronze roof, the white enclosing walls. Piercingly white the holy and famous place shines among the olives and the fallows; the sun burns upon the marble; Phoebus salutes his great sister. And in the waters of the lake reappear the white columns; the blue waves dance around the shimmering lines; the mists part above them; they rise from the lake, lingering awhile upon the woods.
'The boy lays his hands to his eyes and looks eagerly towards the temple.
Nothing. No living creature stirs.
'Often has he been warned by his father not to venture alone within the grove of the goddess. Twice, indeed, on the great June festivals has he witnessed the solemn sacrifices, and the crowds of worshippers, and the torches mirrored in the lake. But without his father, fear has hitherto stayed his steps far from the temple.
'To-day, however, as the sun mounts, and the fresh breeze breaks from the sea, his youth and the wildness of it dance within his blood. He and his goats pass into an olive garden. The red-brown earth has been freshly turned amid the twisted trunks; the goats scatter, searching for the patches of daisied grass still left by the plough. Guiltily the boy looks round him—peers through the olives and their silvery foam of leaves, as they fall past him down the steep. Then like one of his own kids he lowers his head and runs; he leaves his flock under the olives; he slips into a dense ilex-wood, still chill with the morning; he presses towards its edge; panting he climbs a huge and ancient tree that flings its boughs forward above the temple wall; he creeps along a branch among the thick small leaves,—he lifts his head.
'The temple is before him, and the sacred grove. He sees the great terrace, stretching to the lake; he hears the little waves plashing on its buttressed wall.
'Close beneath him, towards the rising and the midday sun there stretches a great niched wall girdling the temple on two sides, each niche a shrine, and in each shrine a cold white form that waits the sun—Apollo the Far-Darter, and the spear-bearing Pallas, and among them that golden Cæsar, of whom the country talks, who has given great gifts to the temple—he and his grandson, the young Gaius.