He stood beside the window, with his hands on his sides, moodily looking out. Thus strongly defined against the sunset light, he would have impressed himself on a stranger as a man no longer in his first youth, extraordinarily handsome so far as the head was concerned, but of a somewhat irregular and stunted figure; stunted, however, only in comparison with what it had to carry; for in fact he was of about middle height. But the head, face and shoulders were all remarkably large and powerful; the colouring—curly black hair, grey eyes, dark complexion—singularly vivid; and the lines of the brow, the long nose, the energetic mouth, in their mingled force and perfection, had made the stimulus of many an artist before now. For Edward Manisty was one of those men of note whose portraits the world likes to paint: and this 'Olympian head' of his was well known in many a French and English studio, through a fine drawing of it made by Legros when Manisty was still a youth at Oxford. 'Begun by David—and finished by Rembrandt': so a young French painter had once described Edward Manisty.
The final effect of this discord, however, was an effect of power—of personality—of something that claimed and held attention. So at least it was described by Manisty's friends. Manisty's enemies, of whom the world contained no small number, had other words for it. But women in general took the more complimentary view.
The two women now in his company were clearly much affected by the force—wilfulness—extravagance—for one might call it by any of these names—that breathed from the man before them. Miss Manisty, his aunt, followed his movements with her small blinking eyes, timidly uneasy, but yet visibly conscious all the time that she had done nothing that any reasonable man could rationally complain of; while in the manner towards him of his widowed cousin Mrs. Burgoyne, in the few words of banter or remonstrance that she threw him on the subject of his aunt's expected visitor, there was an indulgence, a deference even, that his irritation scarcely deserved.
'At least, give me some account of this girl'—he said, breaking in upon his aunt's explanations. 'I have really not given her a thought—and—good heavens!—she will be here, you say, in half an hour. Is she young—stupid—pretty? Has she any experience—any conversation?'
'I read you Adèle's letter on Monday,' said Miss Manisty, in a tone of patience—'and I told you then all I knew—but I noticed you didn't listen. I only saw her myself for a few hours at Boston. I remember she was rather good-looking—but very shy, and not a bit like all the other girls one was seeing. Her clothes were odd, and dowdy, and too old for her altogether,—which struck me as curious, for the American girls, even the country ones, have such a natural turn for dressing themselves. Her Boston cousins didn't like it, and they tried to buy her things—but she was difficult to manage—and they had to give it up. Still they were very fond of her, I remember. Only she didn't let them show it much. Her manners were much stiffer than theirs. They said she was very countrified and simple—that she had been brought up quite alone by their old uncle, in a little country town—and hardly ever went away from home.'
'And Edward never saw her?' inquired Mrs. Burgoyne, with a motion of the head towards Manisty.
'No. He was at Chicago just those days. But you never saw anything like the kindness of the cousins! Luncheons and dinners!'—Miss Manisty raised her little gouty hands—'my dear—when we left Boston I never wanted to eat again. It would be simply indecent if we did nothing for this girl. English people are so ungrateful this side of the water. It makes me hot when I think of all they do for us.'
The small lady's blanched and wrinkled face reddened a little with a colour which became her. Manisty, lost in irritable reflection, apparently took no notice.
'But why did they send her out all alone?' said Mrs. Burgoyne. 'Couldn't they have found some family for her to travel with?'
'Well, it was a series of accidents. She did come over with some Boston people—the Porters—we knew very well. And they hadn't been three days in London before one of the daughters developed meningitis, and was at the point of death. And of course they could go nowhere and see nothing—and poor Lucy Foster felt herself in the way. Then she was to have joined some other people in Italy, and they changed their plans. And at last I got a letter from Mrs. Porter—in despair—asking me if I knew of anyone in Rome who would take her in and chaperon her. And then—well, then you know the rest.'