Yet, as she looks, within the visible scene, there opens another: the porch of a plain, shingled house, her uncle sitting within it, his pipe and his newspaper on his knee, sunning himself in the April morning. She passes behind him, looks into the stiff leaf-scented parlour—at the framed Declaration of Independence on the walls, the fresh boughs in the fire-place, the Bible on its table, the rag-carpet before the hearth. She breathes the atmosphere of the house; its stern independence and simplicities; the scorns and the denials, the sturdy freedoms both of body and soul that it implies—conscience the only master—vice-master for God, in this His house of the World. And beyond—as her lids sink for an instant on the pageant before her—she hears, as it were, the voices of her country, so young and raw and strong!—she feels within her the throb of its struggling self-assertive life; she is conscious too of the uglinesses and meannesses that belong to birth and newness, to growth and fermentation. Then, in a proud timidity—as one who feels herself an alien and on sufferance—she hangs again upon the incomparable scene. This is St. Peter's; there is the dome of Michael Angelo; and here, advancing towards her amid the red of the cardinals, the clatter of the guards, the tossing of the flabellæ, as though looking at her alone—the two waxen fingers raised for her alone—is the white-robed triple-crowned Pope.
She threw herself upon the sight with passion, trying to penetrate and possess it; and it baffled her, passed her by. Some force of resistance within her cried out to it that she was not its subject—rather its enemy! And august, unheeding, the great pageant swept on. Close, close to her now! Down sink the crowd upon the chairs; the heads fall like corn before the wind. Lucy is bending too. The Papal chair borne on the shoulders of the guards is now but a few feet distant; vaguely she wonders that the old man keeps his balance, as he clings with one frail hand to the arm of the chair, rises incessantly—and blesses with the other. She catches the very look and meaning of the eyes—the sharp long line of the closed and toothless jaw. Spirit and spectre;—embodying the Past, bearing the clue to the Future.
'Yeux de police!'—laughed Reggie Brooklyn to Mrs. Burgoyne as the procession passed—'don't you know?—that's what they say.'
Manisty bent forward. The flush of excitement was still on his cheek, but he threw a little nod to Brooklyn, whose gibe amused him.
Lucy drew a long breath—and the spell was broken.
* * * * *
Nor was it again renewed, in the same way. The Pope and his cortège disappeared behind the Confession, behind the High Altar, and presently, Lucy, craning her neck to the right, could see dimly in the furthest distance, against the apse, and under the chair of St. Peter, the chair of Leo XIII. and the white shadow, motionless, erect, within it, amid a court of cardinals and diplomats. As for the mass that followed, it had its moments of beauty for the girl's wondering or shrinking curiosity, but also its moments of weariness and disillusion. From the latticed choir-gallery, placed against one of the great piers of the dome, came unaccompanied music—fine, pliant, expressive—like a single voice moving freely in the vast space; and at the High Altar, Cardinals and Bishops crossed and recrossed, knelt and rose, offered and put off the mitre; amid wreaths of incense, long silences, a few chanted words; sustained, enfolded all the while by the swelling tide of Gloria, or Sanctus.
At last—the elevation!—and at the bell the whole long double line of soldiers, from the Pope's chair at the western end to the eastern door, with a rattle of arms that ran from end to end of the church, dropped on one knee—saluted. Then, crac!—and as they had dropped, they rose, the stiff white breeches and towering helmets of the Guardia Nobile, the red and yellow of the Swiss, the red and blue of the Papal guards—all motionless as before. It was like the movement of some gigantic toy. And who or what else took any notice? Lucy looked round amazed. Even the Irish priest behind her had scarcely bowed his head. Nobody knelt. Most people were talking. Eleanor Burgoyne indeed had covered her face with her long delicate fingers. Manisty leaning back in his chair, looked up for an instant at the rattle of the soldiers, then went back sleepily to his Greek book. Yet Lucy felt her own heart throbbing. Through the candelabra of the High Altar beneath the dome, she can see the moving figures of the priests, the wreaths of incense ascending. The face of the celebrant Cardinal, which had dropped out of sight, reappears. Since it was last visible, according to Catholic faith, the great act of Catholic worship has been accomplished—the Body and Blood are there—God has descended, has mingled with a mortal frame. And who cares? Lucy looks round her at the good-humoured indifference, vacancy, curiosity, of the great multitude filling the nave; and her soul frees itself in a rush of protesting amazement.
* * * * *
One more 'moment' however there was,—very different from the great moment of the entry, yet beautiful. The mass is over, and a temporary platform has been erected between the Confession and the nave. The Pope has been placed upon it, and is about to chant the Apostolic Benediction.