'Well, she's Lord Findon's daughter—that tells you. They're pretty well at the top.'
Phoebe asked various other questions, then fell silent, still pondering the sketches. After a while she put down her work and came to sit on a stool beside Fenwick, sometimes laying her golden head against his knee, or stretching out her hand to touch his. He responded affectionately enough; but as the winter twilight deepened in the little room, Phoebe's eyes, fixed upon the fire, resumed their melancholy discontent. She was less necessary to him even than before; she knew by a thousand small signs that the forces which possessed his mind—perhaps his heart!—were not now much concerned with her.
She tried to control, to school herself. But the flame within was not to be quenched—was, indeed, perpetually finding fresh fuel. How quietly he had taken the story of the tramp's attack upon her!—which still, whenever she thought of it, thrilled her own veins with horror. No doubt he had been over to Ambleside to speak to the police; and he had arranged that the little servant, Daisy, should come to her when he left. But if he had merely caught her to him with one shuddering cry of love and rage—that would have been worth all his precautions!—would have effaced the nightmare, and filled her heart.
As to his intellectual life, she was now much more conscious of her exclusion from it than she ever had been in their old life together.
For it was a consciousness quickened by jealousy. Little as Fenwick talked about Madame de Pastourelles, Phoebe understood perfectly that she was a woman of high education and refinement, and that her stored and subtle mind was at once an attraction and a cause of humiliation to John. And through his rare stories of the Findon household and the Findon dinner-parties, the wife dimly perceived a formidable world, bristling with strange acquirements and accomplishments, in which he, perhaps, was beginning to find a place, thanks to his art; while she, his obscure and ignorant wife, must resign herself to being for ever shut out from it—to knowing it from his report only. How could she ever hold her own with such people? He would talk with them, paint them, dine with them, while she sat at home—Carrie's nurse, and the domestic drudge.
And yet she was of that type which represents perhaps the most ambitious element in the lower middle class. It had been a great matter that she, a small farmer's daughter, should pass her examinations and rise to be a teacher in Miss Mason's school. She had had her triumphs and conceits; had been accustomed to think herself clever and successful, to hold her head high amongst her schoolmates. Whereas now, if she tried to talk of art or books, she was hotly aware that everything she said was, in John's eyes, pretentious or absurd. He was comparing her with others all the time, with men and women—women especially—in whose presence he felt himself as diffident as she did in his. He was thinking of ladies in velvet dresses and diamonds, who could talk wittily of pictures and theatres and books, who could amuse him and distract him. And meanwhile she went about in her old stuff dress, her cotton apron and rolled-up sleeves, cooking and washing and cleaning—for her child and for him. She felt through every nerve that he was constantly aware of details of dress or ménage that jarred upon him; she suspected miserably that all her little personal ways and habits seemed to him ugly and common; and the suspicion showed itself in pride or brusquerie.
Meanwhile, if she had been restful, if he could only have forgotten his cares in her mere youth and prettiness, Fenwick would have been easily master of his discontents. For he was naturally of a warm, sensuous temper. Had the woman understood her own arts, she could have held him.
But she was not restful, she was exacting and self-conscious; and, moreover, a certain new growth of Puritanism in her repelled him. While he had been passing under the transforming influences of an all-questioning thought and culture, she had been turning to Evangelical religion for consolation. There was a new minister in a Baptist chapel a mile or two away, of whom she talked, whose services she attended. The very mention of him presently became a boredom to Fenwick. The new influence had no effect upon her jealousies and discontents; but it re-enforced a natural asceticism, and weakened whatever power she possessed of playing on a husband's passion. Meanwhile, Fenwick was partly aware of her state of mind, and far from happy himself. His conscience pricked him; but such prickings are small help to love. Often he found himself guiltily brooding over Lord Findon's tirades against the early marriages of artists. There was a horrid truth in them. No doubt an artist should wait till his circumstances were worthy of his gifts; and then marry a woman who could understand and help him on.
Nor was even the child a binding influence. Fenwick in this visit became for the first time a fond father. A certain magic in the little Carrie flattered his vanity and excited his hopes. He drew her many times, and prophesied confidently that she would be a beauty. But, in his secret opinion, she was spoilt and mismanaged; and he talked a good deal to Phoebe about her bringing-up, theorising and haranguing in his usual way. Phoebe listened generally with impatience, resenting interference with her special domain. And often, when she saw the father and child together, a fresh and ugly misery would raise its head. Would he in time set even Carrie against her—teach the child to look down upon its mother?
One day he returned from Ambleside, pale and excited—bringing a
Manchester paper.