Laura seemed to rouse herself with an effort from some thoughts of her own.
"Daffady—how the sun's shining! I'll go out. Daffady, you're very kind and nice to me—I wonder why?"
She laid one of the hands that seemed to the cow-man so absurd upon his arm, and smiled at him. The old man reddened and grunted. She sprang up with a laugh; and the kitchen was instantly filled by a whirlwind of barks from Fricka, who at last foresaw a walk.
* * * * *
Laura took her way up the fell. She climbed the hill above the farm, and then descended slowly upon a sheltered corner that held the old Browhead Chapel, whereof the fanatical Mr. Bayley—worse luck!—was the curate in charge.
She gave a wide berth to the vicarage, which with two or three cottages, embowered in larches and cherry-trees, lay immediately below the chapel. She descended upon the chapel from the fell, which lay wild about it and above it; she opened a little gate into the tiny churchyard, and found a sunny rock to sit on, while Fricka rushed about barking at the tits and the linnets.
Under the April sun and the light wind, the girl gave a sigh of pleasure. It was a spot she loved. The old chapel stood high on the side of a more inland valley that descended not to the sea, but to the Greet—a green open vale, made glorious at its upper end by the overpeering heads of great mountains, and falling softly through many folds and involutions to the woods of the Greet—the woods of Bannisdale.
So blithe and shining it was, on this April day! The course of the bright twisting stream was dimmed here and there by mists of fruit blossom. For the damson trees were all out, patterning the valleys,—marking the bounds of orchard and field, of stream and road. Each with its larch clump, the grey and white farms lay scattered on the pale green of the pastures; on either side of the valley the limestone pushed upward, through the grassy slopes of the fells, and made long edges and "scars" against the sky; while down by the river hummed the old mill where Laura had danced, a year before.
It was Westmoreland in its remoter, gentler aspect—Westmoreland far away from the dust of coaches and hotels—an untouched pastoral land, enwrought with a charm and sweetness none can know but those who love and linger. Its hues and lines are all sober and very simple. In these outlying fell districts, there is no splendour of colour, no majesty of peak or precipice. The mountain-land is at its homeliest—though still wild and free as the birds that flash about its streams. The purest radiance of cool sunlight floods it on an April day; there are pale subtleties of grey and purple in the rocks, in the shadows, in the distances, on which the eye may feed perpetually; and in the woods and bents a never-ceasing pageantry of flowers.
And what beauty in the little chapel-yard itself! Below it the ground ran down steeply to the village and the river, and at its edge—out of its loose boundary wall—rose a clump of Scotch firs, drawn in a grand Italian manner upon the delicacy of the scene beyond. Close to them a huge wild cherry thrust out its white boughs, not yet in their full splendour, and through their openings the distant blues of fell and sky wavered and shimmered as the wind played with the tree. And all round, among the humble nameless graves, the silkiest, finest grass—grass that gives a kind of quality, as of long and exquisite descent, to thousands of Westmoreland fields—grass that is the natural mother of flowers, and the sister of all clear streams. Daffodils grew in it now, though the daffodil hour was waning. A little faded but still lovely, they ran dancing in and out of the graves—up to the walls of the chapel itself—a foam of blossom breaking on the grey rock of the church.