Meanwhile, she realised the force of the saying that Catholicism is the faith to die in.

The concentration of all these Catholic minds upon the dying of Augustina, the busy fraternal help evoked by every stage of her via dolorosa, was indeed marvellous to see. "It is a work of art," Laura thought, with that new power of observation which had developed in her. "It is—it must be—the most wonderful thing of its sort in the world!"

For it was no mere haphazard series of feelings or kindnesses. It was an act—a function—this "good death" on which the sufferer and those who assisted her were equally bent. Something had to be done, a process to be gone through; and everyone was anxiously bent upon doing it in the right, the prescribed, way—upon omitting nothing. The physical fact, indeed, became comparatively unimportant, except as the evoking cause of certain symbolisms—nay, certain actual and direct contacts between earth and heaven, which were the distraction of death itself—which took precedence of it, and reduced it to insignificance.

When Father Leadham left, Father Bowles came to stay in the house, and Communion was given to Mrs. Fountain every day. Two or three times a week, also, Mass was said in her room. Laura assisted once or twice at these scenes—the blaze of lights and flowers in the old panelled room—the altar adorned with splendid fittings brought from the chapel below—the small, blanched face in the depths of the great tapestried bed—the priest bending over it.

On one of these occasions, in the early morning, when the candles on the altar were almost effaced by the first brilliance of a May day, Laura stole away from the darkened room where Mrs. Fountain lay soothed and sleeping, and stood for long at an open window overlooking the wild valley outside.

She was stifled by the scent of flowers and burning wax; still more, mentally oppressed. The leaping river, the wide circuit of the fells, the blowing of the May wind!—to them, in a great reaction, the girl gave back her soul, passionately resting in them. They were no longer a joy and intoxication. But the veil lifted between her and them. They became a sanctuary and refuge.

From the Martha of the old faith, so careful and troubled about many things—sins and penances, creeds and sacraments, the miraculous hauntings of words and objects, of water and wafer, of fragments of bone and stuff, of scapulars and medals, of crucifixes and indulgences—her mind turned to this Mary of a tameless and patient nature, listening and loving in the sunlight.

Only, indeed, to destroy her own fancy as soon as woven! Nature was pain and combat, too, no less than Faith. But here, at least, was no jealous lesson to be learnt; no exclusions, no conditions. Her rivers were deep and clear for all; her "generous sun" was lit for all. What she promised she gave. Without any preliminary credo, her colours glowed, her breezes blew for the unhappy. Oh! such a purple shadow on the fells—such a red glory of the oak twigs in front of it—such a white sparkle of the Greet, parting the valley!

What need of any other sacrament or sign than these—this beauty and bounty of the continuing world? Indeed, Friedland had once said to her, "The joy that Catholics feel in the sacrament, the plain believer in God will get day by day out of the simplest things—out of a gleam on the hills—a purple in the distance—a light on the river; still more out of any tender or heroic action."

She thought very wistfully of her old friend and his talk; but here also with a strange sense of distance, of independence. How the river dashed and raced! There had been wild nights of rain amid this May beauty, and the stream was high. Day by day, of late, she had made it her comrade. Whenever she left Augustina it was always to wander beside it, or to sit above it, cradled and lost in that full triumphant song it went uttering to the spring.