“Oh, you must take Radowitz’s!” cried Nora. “Just to show that you stand by him. Mr. Sorell says everybody likes him in college—except Mr. Falloden’s horrid set, who think themselves the lords of creation. They say that Otto Radowitz made such an amusing speech last week in the college debating society attacking ‘the bloods.’ Of course they didn’t hear it, because they have their own club, and turn up their nose at the college society. But it’s going to be printed somewhere, and then it’ll make them still more furious with him. They’ll certainly pay him out some time.”
“All right,” said Constance, who had suddenly recovered colour and vivacity. “I’ll take Mr. Radowitz’s bouquet.”
“Then, of course, Lord Meyrick will feel snubbed. Serve him right! He shouldn’t be so absurdly fond of Mr. Falloden!”
Nora was quite aware that she might be provoking Constance. She did it with her eyes open. Her curiosity and concern after what Alice had told her of the preceding night’s ball were becoming hard to conceal. Would Connie really engage herself to that horrid man?
But no rise could be got out of Constance. She said nothing. Annette appeared, and the important business of hair-dressing went forward. Nora, however, had yet another fly to throw.
“Alice passed Mr. Falloden on the river this afternoon—he was with the Mansons, and another lady, an awfully pretty person. Mr. Falloden was teaching her to row. Nobody knew who she was. But she and he seemed great friends. Alice saw them also walking about together at Iffley, while the others were having tea.”
“Indeed?” said Constance. “Annette, I think I’ll wear my black after all—the black tulle, and my pearls.”
Annette unwillingly hung up the “creation.”
“You’d have looked a dream in it, my lady. Why ever won’t you wear it?”
But Constance was obstinate. And very soon she stood robed in clouds of black tulle and jet, from which her delicate neck and arms, and her golden-brown head stood out with brilliant effect. Nora, still sitting on the bed, admired her hugely. “She’ll look like that when she’s married,” she thought, by which she meant that the black had added a certain proud—even a sombre—stateliness to Connie’s good looks.